by Joanne Harris ‧ RELEASE DATE: Dec. 27, 2016
A gripping fictional exposé of a tempest no teapot can contain.
Mr. Chips meets Gordon Gekko in Harris’ (Peaches for Father Francis, 2012, etc.) novel of academe.
Roy Straitley is a relic of the English prep school past: he's taught Latin at St. Oswald’s Grammar School for Boys for decades and otherwise leads a celibate and austere life in his nearby flat, his only luxuries being licorice candies, Gauloise cigarettes, and strictly moderate alcohol intake. But lately St. Oswald’s is in turmoil. A new headmaster, Johnny Harrington, has arrived, flanked by consultants and spouting modern theories of branding, political correctness, and trigger warnings, to effect the academic equivalent of a corporate takeover. Smooth, impeccably turned-out Harrington manages to co-opt the school’s older faculty by deluding them into thinking they have a future in the new St. Oswald’s. Instituting the contradictory motto Progress Through Tradition, Harrington replaces the Honors Boards—large placards lining the school’s corridors “inscribed with the names of our old boys”—with glossy advertising posters, imposes coeducation, and promulgates an anti-bullying policy that protects bullies. But most disturbing to Straitley, the new regime’s only dissenter, is the fact that Harrington is a graduate of St. Oswald’s who, without actually being implicated himself, was at the center of an incident in 1981 which led to the prosecution of a gay English teacher, Straitley’s best friend, Harry Clarke, for pederasty and murder. Now Harrington seems bent on banishing Straitley to the bleak underworld of involuntary retirement unless the old Latin master, armed with Roman political savvy, can upset the smarmy new head’s overly polished apple cart. Interspersed with the present narrative, set in 2005, are diary excerpts from a nameless St. Oswald’s student, written mostly circa 1981, addressed to Mousey, a boy from the slums whom he once tried to kill. In addition to describing the torture and drowning of animals, the diarist confesses to jealously acting out in a horrific way when his crush on Harry Clarke goes unrequited. Harris expertly manipulates reader expectations as to the identities of St. Oswald’s true villains, past and present.
A gripping fictional exposé of a tempest no teapot can contain.Pub Date: Dec. 27, 2016
ISBN: 978-1-5011-5551-2
Page Count: 416
Publisher: N/A
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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