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FIVE QUARTERS OF THE ORANGE

Harris (Chocolat, 1999) is capable of elegantly sensual writing, but Five Quarters degenerates into melodrama all too soon.

An overwrought and often contrived tale with one too many characters named after food.

When elderly widow Françoise Simon returns to the sleepy village on the Loire where she grew up, she’s grateful that no one recognizes her after all these years as Framboise Dartigen, daughter of a woman suspected of collaboration during WWII. Framboise sets up a small crêperie and keeps her silence, whiling away the time by studying the immense scrapbook her mother, Mirabelle, left to her. This crumbling but fascinating volume is crammed with recipes, clippings, and handwritten notes in a peculiar code, which she gradually deciphers. Framboise is forced to relive her own central role in the long-ago scandal as the youngest of three children who eagerly take small luxuries like chocolate and silk stockings from the occupying German soldiers, offering in exchange information that can be used to blackmail the villagers. Framboise befriends Tomas Liebniz, youngest and best-looking of the soldiers, and confides her desire to catch Old Mother, an enormous pike lurking in the depths of the Loire. He provides fishing tackle and advice, as well as a means of getting around her disapproving mother. Mirabelle suffers from excruciatingly painful migraines, which can be triggered by the scent of oranges. Tomas gives one to the nasty little girl, who saves the peel and uses its pungent smell to repeatedly incapacitate her mother. Only morphine—now impossible to obtain—eases the pain, and despite her hatred for the Germans who shot and killed her husband, Mirabelle too turns to clever Tomas, who procures it for her. After his accidental death by drowning and a bloody shooting rampage by German soldiers, the Dartigens face the wrath of the townsfolk . . . .

Harris (Chocolat, 1999) is capable of elegantly sensual writing, but Five Quarters degenerates into melodrama all too soon.

Pub Date: May 3, 2001

ISBN: 0-06-019813-3

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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