A slow buildup to a breathtaking finish.

PEACHES FOR FATHER FRANCIS

Eight years after the events in Harris’ best-selling Chocolat (1999, etc.), her heroine is summoned back to the French village she once revitalized with confections.

Vianne Rocher is living in Paris on a houseboat with her husband, Roux, and daughters, Anouk and Rosette, when a posthumous letter arrives from Armande, the crusty old lady who had been her ally in upsetting the straight-laced mores of Lansquenet. This tiny hamlet once more needs Vianne’s intervention, Armande writes, without specifying exactly what is amiss. When Vianne arrives, she is surprised to learn the person most in need of rescue is her erstwhile antagonist, the tightly wound, chocolate-hating Monsieur le Curé Francis Reynaud. As parish pastor, Reynaud has been supplanted by a young, smug priest who wants to turn Mass into a PowerPoint presentation and replace the church’s old oaken pews with plastic chairs. The Bishop has not been pleased since rumors started circulating that Reynaud set fire to a school for Muslim girls housed in Vianne’s former candy shop. Reynaud is suspect because he clashed with the Imam of Les Marauds, Lansquenet’s Muslim neighborhood, over the installation of a minaret complete with call to prayer. The school’s founder, Inès Bencharki, whose brother, Karim, is the Imam’s son-in-law, has, along with her charismatic sibling, introduced Muslim fundamentalism into previously free-wheeling Les Marauds, requiring her pupils to veil themselves. Vianne is drawn into the fray when she takes in Alyssa, the Imam’s granddaughter, whom Reynaud saved from drowning herself. As they forge a gingerly alliance, Reynaud and Vianne suspect that Inès and Karim are hiding something, and those secrets, when revealed, are shocking. While Harris’ loving attention to the details of cuisine, French and Moroccan, and the daily lives of the eccentric village characters conveys a certain charm, the indolent pace of the novel doesn’t accelerate until the puzzle explodes with incandescent intensity near the end. The patient reader, however, will be amply rewarded.

A slow buildup to a breathtaking finish.

Pub Date: Oct. 2, 2012

ISBN: 978-0-670-02636-4

Page Count: 464

Publisher: Viking

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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