A knotty and evocative search for identity.

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POSSESSED

From the Pagan Light series , Vol. 1

A teenage girl with psychic powers must deal with persecution and relationship issues in this coming-of-age YA paranormal novel.

Seventeen-year-old Jackie Turov is known at school as “Goth Girl” or “Virgin Queen,” the latter because she had a vision in church when she was 12, one that tragically came true, the former because she now dresses in goth style, trying to distance herself from the notoriety of that incident. The problem is Jackie’s prescience wasn’t a one-off. She picks up on emotions and cannot help “reading” any person or object she touches. Among her peers, she is a pariah—a freak. Even her father can’t cope with her strangeness. He divorced Jackie’s mother and moved away. Despite this, Jackie has found her place. She has good relationships with her mom and great-grandmother. She has a small but tight group of friends. But this is about to change. After a bad solar storm leaves the town rife with psychic energy, Trish, one of Jackie’s friends, calls a demon into the world to stir up negative emotions. Jackie’s best pal, Jason, wants to be more than friends. David, a young seminarian, tries to entice Jackie back to church. She is conflicted: Can she master her emotions, or will the shell she’s made for herself crack apart? In this series opener, Keltner (Obsession, 2013, etc.) writes simply but effectively in the third person, crafting characters from small details while striking a good balance between the story’s paranormal and personal threads. Jackie’s Russian background adds unobtrusive depth to her situation. The fact that neither she nor her mother speaks Russian—while her great-grandmother doesn’t converse in English—evokes an assimilation that contrasts with Jackie’s being made an outcast for nonethnic reasons. Jackie’s religious upbringing makes her shun her powers, and this question of self runs through all aspects of her life. In terms of romance, the interlocking love triangles (Jackie-Jason-Trish; Jason-Jackie-David) seem quite natural in their shifting patterns. The dialogue sits well. All told, Jackie’s story moves quickly and engagingly, and though the ending is perhaps a bit chaotic, teen readers will find much to like here.

A knotty and evocative search for identity.

Pub Date: Jan. 30, 2019

ISBN: 978-1-79165-741-3

Page Count: 333

Publisher: Self

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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