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BEN & ZIP

TWO SHORT FRIENDS

This boardwalk frolic proves even small fries can solve big mysteries.

A beachside lost-and-found adventure, told from a kid’s point of view.

“Ben was short. Zip was shorter. They skipped along the boardwalk toward their favorite spot....” So begins this tale of a small boy who loses his smaller friend on a beachside boardwalk. The text informs readers that they are headed toward a popcorn wagon, while the illustration, a low aerial view of the beach and boardwalk dotted with people, makes it hard to tell who’s Ben and who’s Zip. Suddenly the wind whips up, the sound of thunder fills the air, and Zip dashes off, disappearing into the crowd. Then Ben is shown, dressed in a bold yellow-and-blue basketball jersey, frantically searching for Zip with his parents in tow. At first, all Ben can see is the vista from his level: “[r]ight knees, left knees, knees with sandy patches. / Fat knees, bony knees, knees with bumps and scratches.” The image of this forest of feet and legs is delightfully funny; some legs are hairy and some are not, and one pair reveals a whopping sunburn above the sock line. Each time Ben climbs a bit higher to scout out from a better view, the prose turns into a humorous rhyming description of what he sees: bellies, hair, an empty beach (it has begun to rain). The well-paced watercolor illustrations, abundant with marvelous, comic details, are a neat complement to the adventure.

This boardwalk frolic proves even small fries can solve big mysteries. (Picture book. 4-8)

Pub Date: April 1, 2014

ISBN: 978-1-9362612-8-4

Page Count: 32

Publisher: Flashlight Press

Review Posted Online: March 2, 2014

Kirkus Reviews Issue: March 15, 2014

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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