A quiet book that will stay with readers long after they have closed it.
The coal mines of Cape Breton in the Canadian province of Nova Scotia have closed, but this book recalls a time when generations of men toiled in the mines under the sea.
As the book starts, a white couple stands by the door. The woman holds her husband’s lunch pail as he gets ready to leave home. Upstairs, their son wakes up, and it is from him that readers will get to know his town and life by the sea, the repeated phrase “it goes like this—” lending the narrative a timeless quality. Both the text and the illustrations have a simple, understated quality that go hand in hand and lend a melancholic feel to the whole. A muted palette and images heavily outlined in black reinforce the feeling. As the boy goes about his life above—playing with his brown-skinned friend; coming home to a simple lunch; going to the store with a list for the grocer; or visiting his grandfather’s grave overlooking the sea—several predominantly black two-page spreads, vigorously textured strokes of black and gray adding weight, are woven into the narrative, reminding readers that deep down, the miners are digging for coal. A particularly poignant spread depicts the front door of the house in a wordless series, the angle of the sunlight showing time going by; in the last image the door is opening, and the narrator’s father is home at last.
A quiet book that will stay with readers long after they have closed it. (Picture book. 5-8)Pub Date: April 11, 2017
ISBN: 978-1-55498-871-6
Page Count: 52
Publisher: Groundwood
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Fun, in an odd sort of way.
The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.
The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”
Fun, in an odd sort of way. (Picture book. 5-8)Pub Date: Aug. 26, 2014
ISBN: 978-0-439-91530-4
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Alex has his iguana (I Wanna Iguana, 2004), but now, thanks to Baby Annie, he has to share his room with his little brother Ethan. That’s just not going to work out, so he begins a new letter-writing campaign. Mom’s reply: Talk to your father. Alex’s straightforward request nets this response: “…Mom says girls need privacy to do girl stuff.” Alex can’t think what girl stuff a baby would need to do, so he switches tactics, complaining that Ethan bothers his stuff. The heart-to-heart talk Dad suggests ends up with Alex cordoning off HIS part of the room (which unfortunately includes the door). Alex begs for an addition to the house, but Dad has a better idea. The two build Alex his own tree house…but it’s boring in the tree house alone! Orloff’s second epistolary tale is just as inventive and enjoyable as the first. Catrow’s distinctive pencil-and-watercolor illustrations elevate the (mostly) realistic exchange in the letters to deliriously preposterous heights. The nearly wordless conclusion is as satisfying as it is unexpected. A sneaky lesson wrapped up in a flaky bundle of fun. (Picture book. 5-8)
Pub Date: Sept. 1, 2010
ISBN: 978-0-399-25405-5
Page Count: 32
Publisher: Putnam
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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