Still, these are minor issues in what is mostly a distinctive and absorbing tale.

ANGEL'S INK

From the author of the Dark Days series (Bound to Me, 2012, etc.), the first of a new urban-fantasy series centered on tattoo artist Gage Powell.

In Asylum, a seedy part of Low Town, assorted strugglers and lowlife humans somewhat uneasily coexist with elves, werewolves, vampires, trolls and other supernatural folk. Above them all are the witches and warlocks in their concealed Ivory Towers; first-person narrator Gage, once a warlock, fled after fighting his mentor, Simon Thorn, when he could no longer stomach their cruelty and arrogance. The Ivory Towers council let him go but assigned a watchdog to ensure that Gage uses his magic only in self-defense. Against this extensive, carefully worked out backdrop, Gage tries to keep his head down and practice his art—which usually involves adding a little magical something to the ink’s ingredients—assisted by Trixie, a drop-dead gorgeous elf who conceals her true identity, and Bronx, a hulking, good-natured troll. The plotting, too, is both intricate and well-articulated. Among the problems Gage must deal with: a representative of the local Grim Reaper’s union; some armed-to-the-teeth elves enquiring after Trixie; a witch turned into a cat and exiled from the Towers; Simon, intent on killing Gage to further his political agenda; and a very dangerous and dark elf gangster. Stir in a bout of hot sex and some magical battles—the latter, oddly, often devolve into mere physical violence—and it’s a shame that the characters remain flat and clichéd, especially dull Bronx and the hissing villain Simon.

Still, these are minor issues in what is mostly a distinctive and absorbing tale.

Pub Date: Oct. 16, 2012

ISBN: 978-0-06-211785-4

Page Count: 368

Publisher: Harper Voyager

Review Posted Online: Sept. 3, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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