Fizzy fairy-tale fun.
In her first foray into teen fiction, Picoult and her co-author daughter deliver an enjoyable, metafictive twist on the traditional teen-romance novel.
Delilah is a 15-year-old, self-professed loner who would rather have her head buried in a book than gossip about boys or play fashion police in the halls between classes. But it’s not just any book that Delilah wants to lose herself in; it’s an obscure fairy tale called Between the Lines with a dashing young prince who literally comes to life before her very eyes. Prince Oliver is equally captivated with Delilah, and the two embark on a quest to find a way and a world in which they can finally be together. Told from Delilah and Oliver’s alternating points of view, this take on the traditional star-crossed-lovers tale will make for a light read for those preteens and early teens who aren’t looking for more mature, emotionally complex love stories. Book lovers in particular are likely to get a kick out of the blurring of the lines between character and reader, fact and fiction. Periodic illustrations from the fairy tale Between the Lines function well as reminders of Oliver’s fictive “reality,” but others, too closely resembling clip art, are distracting and out of place.
Fizzy fairy-tale fun. (Fantasy. 9-13)Pub Date: June 26, 2012
ISBN: 978-1-4516-3575-1
Page Count: 368
Publisher: Emily Bestler Books/Simon Pulse/Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
PERSPECTIVES
A bit of envelope-pushing freshens up the formula.
In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 16, 2018
Kirkus Reviews Issue: July 1, 2018
Much rousing sturm und drang, though what’s left after the dust settles is a heap of glittering but disparate good parts...
Scott tops off his deservedly popular series with a heaping shovelful of monster attacks, heroic last stands, earthquakes and other geological events, magic-working, millennia-long schemes coming to fruition, hearts laid bare, family revelations, transformations, redemptions and happy endings (for those deserving them).
Multiple plotlines—some of which, thanks to time travel, feature the same characters and even figures killed off in previous episodes—come to simultaneous heads in a whirl of short chapters. Flamel and allies (including Prometheus and Billy the Kid) defend modern San Francisco from a motley host of mythological baddies. Meanwhile, in ancient Danu Talis (aka Atlantis), Josh and Sophie are being swept into a play to bring certain Elders to power as the city’s downtrodden “humani” population rises up behind Virginia Dare, the repentant John Dee and other Immortals and Elders. The cast never seems unwieldy despite its size, the pacing never lets up, and the individual set pieces are fine mixtures of sudden action, heroic badinage and cliffhanger cutoffs. As a whole, though, the tale collapses under its own weight as the San Francisco subplots turn out to be no more than an irrelevant sideshow, and climactic conflicts take place on an island that is somehow both a historical, physical place and a higher reality from which Earth and other “shadowrealms” are spun off.
Much rousing sturm und drang, though what’s left after the dust settles is a heap of glittering but disparate good parts rather than a cohesive whole. (Fantasy. 11-13)Pub Date: May 22, 2012
ISBN: 978-0-385-73535-3
Page Count: 528
Publisher: Delacorte
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
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