A midlife crisis story stifled by enough material for several TED talks.
An Egyptologist-turned–hospice worker contemplates the mysteries of fate, mortality, and love.
Picoult’s obsession here is the power of choices and what can happen when they are made under pressure. Dawn, a graduate student in Egyptology, is abruptly called back to Boston from a dig in Egypt by a family emergency. Her mother, who raised her and her brother, Kieran, alone, is in hospice, dying. This death and other circumstances conspire to derail Dawn’s cherished career—now she must raise Kieran, who is only 13. Security is offered by Brian, a physicist at Harvard, whom she marries after discovering she's pregnant. For 15 years, she curates a different life than the one she had planned. She’s now a “death doula,” a concierge hospice worker contracted by the moribund to help wind up loose ends. For Dawn’s client Win, winding up involves getting in touch with a lost love, abandoned for another life. Win’s situation evokes in Dawn renewed longing for her own lost love, Wyatt, an English earl she left behind at the dig. When fault lines emerge in her marriage and teenage daughter Meret is being extra surly, might-have-beens beckon. The nonlinear narrative ricochets between Dawn’s Boston life and her sojourns—past and present—in Egypt. The chronology can be confusing—and, in the case of the prologue, deliberately misleading, it seems. There are no datelines or other guideposts except for periodic headings like "Water/Boston” and “Land/Egypt.” Water and Land reference the “Two Ways,” alternate routes to the afterlife in Egyptian mythology. Whether on death and dying, archaeology, or quantum physics, Picoult’s erudition overload far exceeds the interests of verisimilitude or theme. Do lectures on multiverses bring us any closer to parsing Dawn’s epiphanous epigram—“We don’t make decisions. Our decisions make us”? This much is clear: The characters’ professions are far better defined than their motivations.
A midlife crisis story stifled by enough material for several TED talks.Pub Date: Sept. 22, 2020
ISBN: 978-1-984818-35-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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