An uneven Tex-Mex mystery, though the hero has plenty to offer.
Former nonfiction writer Hewitt’s (Rescuing Slaves of the Watchtower, 2011, etc.) grasp of Lone Star State peculiarities—Tex-Mex culture and politics; things only oilmen know—highlight this messy, 1970s murder mystery.
At first glance, it appears to be a case of drug-lord retribution: 32-year-old Texas Ranger Enrique “Gar” Garcia locked up Hispanic politician Reynaldo Diaz for marijuana smuggling and now, unbeknownst to him, he’s being tailed by Diaz’s revenge-bent brothers. But the plot shifts when, after posting bail, Diaz is offed by assassins posing as FBI agents. The murder is an over-the-top horror, with Diaz noosed to the cable system of an amusement park’s Sky Ride, the aerial cable cars that span the San Marcos River; the cable severs, jerking Diaz’s head from his body and sending it flying through the treetops. The Sky Ride cars plummet, killing or injuring many of the unlucky folks on board—which raises the possibility that one of them, not Diaz, might’ve been the intended target. Garcia’s ensuing investigation benefits from Hewitt’s knowledge of police work and Texas: He notes that the assassin was sweating profusely inside an over-air-conditioned local restaurant before the murder, then used a wood block made of ironwood, found only in South Texas and Mexico, and finally tied Diaz to the cable using an oil-field roughneck’s knot. He also gives Garcia authentic Texan heritage, from his great-great-grandfather’s role in the Battle of the Alamo to his brother Joe’s Chicano dialect. But politics can muddy the plot, too: It’s difficult to gauge whether the mystery is really about Diaz or about some other misdeed, and it’s baffling when the clues take shape as something much more pedestrian than what Hewitt had originally orchestrated. Secondary characters can feel stereotypical (for example, the members of one no-good trio are named Anglo, Hispanic and Black), and sudden shifts from one scene to another can be jarring, as can rampant grammatical mistakes.
An uneven Tex-Mex mystery, though the hero has plenty to offer.Pub Date: Jan. 8, 2013
ISBN: 978-1481183178
Page Count: 326
Publisher: CreateSpace
Review Posted Online: March 21, 2013
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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