A complex tale of life and death that deftly weaves family drama with supernatural elements.
A young woman’s fate is forever changed when she catches the eye of Death in Esposito’s supernatural novel.
Ruth Weber is an old woman languishing in a hospice during what seem to be her last days. She makes friends with a mysterious man who visits her room to change out paintings on the wall and perform other odd jobs. She learns that his name is Mortimer Nach; through flashbacks, readers discover that Mortimer is actually Death itself, and that he and Ruth have a history. As her health declines, Ruth begins having incredibly vivid “dreams” that force her to confront and question all that came before in her long and storied life—from an overbearing father to the death of her child to an ongoing struggle to help her rebellious sister. Jumping back and forth in time, the narrative also includes Ruth’s previous interactions with Death. These include a forbidden romance that forces Mortimer to make a shocking decision—one that will have unimaginable consequences in both the earthly and supernatural realms. A wide cast of characters (including an empathetic archangel) contributes to this intricate exploration of life, death, and what it all means. While the plotline can sometimes become convoluted when switching between memories and the current timeline, the writing and dialogue remain smooth and approachable (even when discussing such heady topics as wielding Time as a weapon, which is one of Mortimer’s handy tricks). Esposito excels at maintaining a steady thread of hope throughout an often heart-wrenching tale, such as when Mortimer tells Ruth: “Life will always be more important than me. I’m nothing more than the last breath, that’s all. Dying doesn’t take from a life, that’s what makes it so beautiful.” With its strong themes of heartbreak and forgiveness, the novel astutely conveys the bittersweet experience of loving someone despite knowing that one day they—and life itself—will have to end.
A complex tale of life and death that deftly weaves family drama with supernatural elements.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: June 16, 2025
Review Program: Kirkus Indie
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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