A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.
Giordano (Birds of Passage, 2014) introduces Anthony Provati, a reckless Lothario who becomes a hunted man in a global showdown of vicious organized criminals and terrorists.
Anthony Provati, lounge pianist and gallery owner, has an ill-advised flirtation with the mistress of a dangerous Russian mob boss, Gorgon Malakhov. Gorgon is a jealous, vengeful monster with a bloodthirsty bodyguard, and the woman, Sophia, is both terrified and conniving. Tensions escalate between Provati and Malakhov while Provati and Sophia relieve considerable tension together. Provati’s life is now in danger, and in one of a few plot contrivances, he seeks help from his NYPD friend who happens also to be on the mobster’s hit list. What follows is a parade of brutal deplorables—Italian, Colombian, and Jewish mobsters in New York, then corrupt Russian intelligence agents, Italian Mafiosi, fine-art thieves, and ex-Egyptian government spies when the action moves to Europe and the Middle East. At the end of the road is the Islamic State in the Levant, known as ISIL or ISIS, the most heinous of the nonstate terrorists. The threats feel very real. The plotting and writing throughout are taut and the stakes are very high. Not only are individual lives in peril, but plans are laid for massive attacks and enormous security breaches. Sales of submarines, Strontium-90 (a component of diabolical “dirty bombs”), and shoulder-launched surface-to-air missiles are all part of the high-level negotiations. Also mixed into the nefarious loot are massive amounts of heroin and three small, but priceless, Vermeer paintings. The book could benefit from moderating some of the villains for more impact; Malakhov’s gambit, for example, when approaching Provati is to threaten his close friend and employee: “Well, just so you know, if you cross me again I’ll rape her in front of you. I’ll parade in my men, and they’ll do her three at a time while you watch, then I’ll slit her throat. Your death will be neither slow nor easy.” Provati is an unlikely, intemperate hero but an enjoyable one.
A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.Pub Date: June 15, 2017
ISBN: 978-1-941861-34-9
Page Count: 306
Publisher: Harvard Square Editions
Review Posted Online: Dec. 2, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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