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Start With Mechanics - Color

COLOR INTERIOR

An informative first book for novices that covers a wide range of basic mechanics, tools and measures.

Jacobs’ nuts-and-bolts mechanics guide covers what a layperson or newbie mechanic would need to get a foothold in the field.

Though little attempt is made to go into any particular depth, the book’s scattershot compilation of everything from parts to pumps will well serve anyone entering the world of mechanics for the first time. The initial chapter on basic mechanical theory addresses measures and motion, ending with the devices that control and power many of today’s machines. Chapter 2, “The Six Machines,” delves into levers, gears, screws and the concept of mechanical advantage, and in “Mechanical Components,” Jacobs goes into cams, solenoids, rollers, clutches, chains and a rudimentary description of the four-stroke gasoline engine. The next chapter, aptly named “Tools,” covers a wide range of basic hand tools, from hammers to pliers, including a few common power tools. The final chapter, “Mounting and Fastening Components,” introduces everything from bolts to bearings, with a smattering of electrical connections and a brief introduction to levers and linkages. Every chapter is rife with visuals to help identify the tools, parts, devices and concepts being presented. In most cases, the thumbnail illustrations are enough to get the author’s point across, and the photos adequately portray the subject matter. Since the book is so light on text, readers can easily go cover to cover in a very short time, grasping basic mechanical concepts without getting overly technical. However, the book suffers from a few drawbacks that could be easily remedied. In some cases, there’s a needless repetition of illustrations and photos, as when showing screw slot types. In other instances, some illustrations—such as those covering clutches, cams and levers—are simply too rudimentary to convey the author’s intention. The page layouts could be improved through the use of a professional designer: With an arbitrary mix of illustration and photography (black and white and color), there seems to be little consistency from page to page in terms of design.

An informative first book for novices that covers a wide range of basic mechanics, tools and measures.

Pub Date: Aug. 1, 2012

ISBN: 978-1479148677

Page Count: 96

Publisher: CreateSpace

Review Posted Online: June 25, 2013

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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