Entertaining and brimming with wonder.
Unlocking the doors to the legendary performer’s world of magic.
Noting that there are more than 500 books about Ehrich Weiss, aka Harry Houdini (1874-1926), MLB.com national columnist Posnanski (The Secret of Golf: The Story of Tom Watson and Jack Nicklaus, 2016, etc.) still delivers a jaunty and infectious biography of the famous magician and his impact on magic and popular culture. The author relates his discussions with magicians who have emulated or criticized Houdini’s magic as well as the “truest believer[s]” who have studied and written about him for years. As a young boy, writes Posnanski, “locks spoke to Houdini, and Houdini understood.” Though he said he was born in Appleton, Wisconsin, he was actually born in Budapest. This lie, discovered Posnanski, is a key to understanding how Houdini achieved his mythic status. “[Houdini] believed that magic was about the performer more than the performance,” writes the author, “and the bigger, gaudier, more dangerous, more thrilling, the better.” Posnanski’s Houdini is a consummate liar and a genius at self-promotion. He hired ghost writer H.P Lovecraft to “tell exaggerated tales about him or write short stories under the Houdini name” and planted self-aggrandizing stories about himself in the local newspapers of the towns where he performed. Posnanski is excellent at describing Houdini’s greatest escapes, from the famous Mirror Cuffs to straitjackets. The author chronicles his visit to David Copperfield’s private museum; the Houdini Museum in Scranton, Pennsylvania, where he viewed the rare Houdini film, The Grim Game; and the Academy of Magical Arts’ exclusive Magic Castle, where he finally got to meet Patrick Culliton, author of the rare and coveted Houdini: The Key. Houdini was good as a magician, Posnanski learns—he created the popular needles-in- the-mouth trick and made an elephant disappear—but he was, above all, a remarkable performer. Spoiler alert: The author does not reveal any Houdini secrets.
Entertaining and brimming with wonder.Pub Date: Oct. 22, 2019
ISBN: 978-1-5011-3723-5
Page Count: 336
Publisher: Avid Reader Press
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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