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AND THE GREATEST OF THESE

An appealing, if uneven, story of a cynic who grasps at a second chance at happiness.

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In this novel of discovery, a jaded mental health professional breaks his own rules to assist a devoted couple caught up in an unforgiving system and finds himself opening up in ways he never imagined.

Downsized from an administrative job in the corporate mental health system, psychologist Michael has built a new career as an assessment specialist in a busy Nashville emergency room, where, he admits, “Sometimes I wonder which side of the assessment desk I belong on.” Michael accepts his forced move with philosophical resignation and gallows humor, recognizing the system’s many limitations while placing strict limits on his involvement with patients, whose needs threaten to drown him. His carefully protected boundaries are breached one afternoon when, as Michael prepares to head home and self-medicate with alcohol and TV, two elderly people enter his emergency room and awaken emotions and longings he had thought buried forever. John and Maggie Dalton, a devoted married couple, become enmeshed in the mental health system when John becomes disoriented and attacks his wife, thinking she is an intruder in their home. Touched by their obvious deep affection for each other, Michael risks his job and his carefully cultivated objectivity to help them negotiate a system that seems determined to ensnare John and separate him from Maggie. Along the way, Michael confronts the loss of his own parents and begins the process of assembling a new family. A mental health professional himself, Pritchard (Stepfathers’ Anonymous Playbook, 1997) presents a convincing picture of well-intentioned specialists overwhelmed by patient needs and a labyrinthine bureaucracy. The novel is also a compelling and respectful portrait of the dignity and terrors of old age, when disabilities may threaten independence. The reader is drawn into Michael’s life-changing admiration for John and Maggie, although sometimes the couple is a bit too perfect to be true. In addition, there are some missed opportunities in the narrative. Almost immediately, Michael is aware that John and Maggie remind him of his parents, but his relationship with them goes relatively unexplored. Another intriguing subplot, of an unscrupulous doctor who commits patients to populate his new drug study, is also disappointingly dropped. The engaging novel provides a good read, however, and an ending that is both satisfyingly positive and realistic.

An appealing, if uneven, story of a cynic who grasps at a second chance at happiness.

Pub Date: Aug. 1, 2016

ISBN: 978-0-9649122-0-5

Page Count: 268

Publisher: CreateSpace

Review Posted Online: March 20, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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