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Blue Fire

From the Misadventures of Max Bowman series , Vol. 2

A complex tale with an upbeat detective who valiantly confronts a bevy of villains.

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Canfield’s (Dark Sky, 2015, etc.) latest thriller finds New York City private investigator Max Bowman searching for an elusive comic book artist, only to wind up entangled in a conspiracy.

When Max took down the secret military operation Dark Sky last year, it made him a media darling, and he now has a book about his experience in the works. He also has his next gig lined up: comic book publisher “Mighty Mel” Chesler wants him to track down writer/artist Ben Mikov, whose whereabouts have been unknown for decades. Mikov abandoned the industry just before his 12-issue Blue Fire series ended, and the fan-abhorred issue #12 was completed without him; despite this, the series eventually earned cult status. Mel needs Mikov to sign off on a Blue Fire film adaptation, but finding him isn’t easy. Even Max’s CIA frenemy, Howard Klein, turns up nothing. Before Max quits, though, he has drinks with Mel’s grandnieces, Candy and Janine, who plead with him to stay on the case. At the restaurant, the PI is suddenly woozy, apparently drugged, and his ensuing bad trip, recorded by witnesses, later goes viral. This, coupled with the unexplained disappearance of Sen. Abe Marks, Max’s ally during “the Dark Sky thing,” makes him surmise that he’s experiencing blowback from that operation. Someone’s trying to discredit him, he thinks, and this is seemingly verified when he’s dosed again, abducted, and tortured. In this second appearance, Canfield makes Max almost playfully buoyant, which contrasts nicely with the dense, though never confusing, plot. The cynical Max remains optimistic, even when his situation’s dire; despite the fact that numerous people are clearly against him, he still plans on keeping his “dental appointment next Tuesday.” Max’s volatile relationship with his estranged girlfriend, Jules, is efficacious when he has nowhere else to turn to for help. But the best interactions are between Max and Eydie, his new rescue dog, whom he reluctantly grows to love. Mikov’s location does play a part in the story, but the real mystery lies in who the baddies are and how deep their machinations run. Hefty twists abound, including a couple that Canfield saves for the final 10 pages.

A complex tale with an upbeat detective who valiantly confronts a bevy of villains.

Pub Date: May 2, 2016

ISBN: 978-0-9975707-0-0

Page Count: 398

Publisher: joined at the hip

Review Posted Online: Aug. 11, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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