by Joel O. Nwagbaraocha ‧ RELEASE DATE: Oct. 8, 2019
An illuminating but uneven account that presents a dazzling academic career.
A Cameroon-born professor looks back on an illustrious career in education in the United States in this debut memoir.
Nwagbaraocha was born in 1942 in Victoria (now known as Limbe), Cameroon. His parents were citizens of British-colonized Nigeria at the time of his birth, serving as expatriates for the government in the then British Cameroons. The author describes growing up in an “international community” that demanded he communicate in four languages: his parents’ native Igbo; pidgin English; Bakweri, the native language of southern Cameroon; and English. This exposure to diverse languages and education methods had a profound impact on Nwagbaraocha and would help shape his future career path. After attending boarding school in Nigeria, he was influenced by a visiting couple from the U.S. Peace Corps and chose to study in America. He became “the first foreign student” to register at Norfolk State College in Virginia, majoring in mathematics and physics. His graduate study was at Harvard, where he completed a doctorate in education. He went on to serve as an academic administrator and professor at two historically black colleges and universities and as president of Barber-Scotia, a “Liberal Arts historically black college.” In his writing, Nwagbaraocha takes an academic approach, setting out his intentions in the introduction: “My personal involvement in the civil rights movement and a brief historical perspective of the civil rights movement at that time are delineated in Chapter Three.” The benefit of this technique is that the author’s life is recorded with clarity and precision. But the prose lacks charm and literary richness, remaining characteristically laconic. The rare passages when Nwagbaraocha candidly discusses his life outside academia prove the most enjoyable: “I had never eaten a hamburger or French fries—or any food cooked in a fast-food place for that matter. In Nigeria in 1964, the closest foods to French fries were fried yam, akara, moi-moi, and fried plantain.” The author also provides an excess of unnecessary padding, such as a lengthy doctoral dissertation abstract that needlessly interrupts the narrative flow. Nwagbaraocha’s achievements will prove inspirational to others wishing to follow a similar career path, yet the way they are recounted makes for a drowsy read.
An illuminating but uneven account that presents a dazzling academic career.Pub Date: Oct. 8, 2019
ISBN: 978-1-5255-4624-2
Page Count: 228
Publisher: FriesenPress
Review Posted Online: Nov. 8, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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