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LOVE IS STRANGE

STORIES OF POSTMODERN ROMANCE

Novelists Rose and Texier, editors of the now-defunct Between C & D, bring together 16 stories by writers who prowl ``the edges of human experience and literary form.'' After their breathless introduction, with its frequent use of the word ``edge,'' the editors turn to many of the writers best known from their Lower East Side magazine, all of whom testify to the peculiar nature of romance in a time of disease and safe sex. The two least sentimental pieces are by gay men. David Feinberg's ``Breaking Up with Roger'' is a sad, campy tale of love between two HIV-positive men with nothing in common except a race against time. And David Wojnarowicz's ``From the Diaries of a Wolf Boy'' chronicles the down-and-out (and risk-taking) escapades of a gay hustler. Pieces from William Vollmann's The Rainbow Stories and A.M. Homes's The Safety of Objects seem selected for their self- conscious weirdness. Likewise, fairly typical and incoherent excerpts from Barry Gifford and Kathy Acker. Darius James's self- explanatory ``The Blackman's Guide to Seducing White Women with the Amazing Power of Voodoo'' is not nearly as witty as his recent novel, Negrophobia. And Trey Ellis's tale of unrequited interracial romance leads nowhere slowly. Women attracted to the wrong kinds of men narrate Lynn McFall's ``Bitter Love'' (the heroine loses an eye in a poolroom catfight); Lisa Blaushild's ``Asking For It'' (a lonely woman writes a love letter to her unknown rapist); and Daytona Beach's ``The Kid'' (a 35-year-old woman looking for a man who can move like her vibrator seduces her girlfriend's 14-year-old son). David Foster Wallace's overly long saga of politically correct love (``Order and Flux in Northampton'') is as strained and sophomoric as his previous work. And the two stories by the editors are as ineptly written as their throwaway introduction. Last gasps from a dying (and never that vital) literary scene.

Pub Date: Feb. 14, 1993

ISBN: 0-393-30965-7

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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