A compelling collection of nature photography that conveys a clear message.
An impressive collection of geological photographs accompanied by essays by the photographer and environmental activists.
Simpson (Blues—By You, 1997) has collected more than 100 of his images of landforms from around the world. His book, which is dedicated to the “Water Protectors of Standing Rock,” opens with essays from attorney Daniel Sheehan, activist Chase Iron Eyes, British author John Farndon, and photography critic Lyle Rexer as well as Simpson’s own introduction. Sheehan reviews the history and context of the 2016-2017 Dakota Access Pipeline protests while Iron Eyes’ contribution has a more poetic format (“Humanity’s dark legacy is hubris, greed, folly / Yet we all possess an unconquerable spirit even if we do not know it”), and Farndon’s words link art and activism. Simpson explains his approach to art (“I take special delight in exploring closer and smaller-scale formations that offer rich possibilities of compositions untethered to the formal, sky-above-earth/water-below, landscape paradigm”) before presenting his images, which feature titles only; captions providing more information are collected in the final pages. The photos are almost exclusively of the natural environment, although a few humans appear, as in one picture of a Hawaiian beach and another of Sardinia. The images include scenes from California, Quebec, Turkey, Mongolia, New Mexico, and Ireland. Simpson has an eye for naturally occurring patterns and structures, and he presents vivid mineral deposits and eye-catching rock formations. He compares a particularly notable formation to Edvard Munch’s painting The Scream, and it’s hard to deny the resemblance. The captions are informative and will help geological novices understand how the shapes developed. They also offer references to the works of other artists, and their placement in the book’s final pages effectively allows readers to process the images separately. Although the environmentalist message is strong in the opening essays, Simpson’s later commentary emphasizes natural beauty without reiterating the threat that it faces, letting readers draw the connection themselves.
A compelling collection of nature photography that conveys a clear message.Pub Date: Jan. 1, 2019
ISBN: 978-0-578-21122-0
Page Count: 168
Publisher: JSS Books
Review Posted Online: June 6, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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