TEACHING DEMOCRACY

A somewhat fictionalized account of Minahan's semester at Brown ``in the early 1980's.'' There, as an adjunct lecturer, he taught a writing course called ``Democracy and Education,'' in which students discussed texts from the Declaration of Independence to the writings of E.D. Hirsch, and subjects from race, class, and gender to the ills of society. The students here are composites—allegorical types: the lazy, the passionate, the idealistic, the methodical, the manipulative, the arrogant, the silent; Ray, Toshiro, Pete, Rahjiv, Helga, and Juanita—the sort of cultural array that admissions officers fantasize about. Meanwhile, Minahan is critical of contemporary ideology; of political correctness, as well as of the DWM (dead white male) curriculum; of the cultural poverty of ``American education'' and ``college students today'' (who don't know Latin or the meaning of ``transcendentalism''); of a system that hires black women without Ph.D.s while he's unemployed (``Shit''); and of the ultimate disease—greed—the ``American illness'' perpetuated on campuses. But he likes his own students, plus Allan Bloom and Elizabeth Fox-Genovese, and he advocates compassion (``the only idea that makes any sense'')—which he defines in increasingly general ways until concluding that ``the society we get is the society we deserve.'' But while Minahan criticizes US education- -students, faculty, the MLA—his book offers neither cogent analysis nor solutions but, ironically, is itself symptomatic of a problem. Hired to teach writing, the author presents opinions as truth, ideology as ideas, polemic as rhetoric, cultural diagnoses as ``personal essays,'' stereotypes as style. If he were one of his students, Minahan probably would find that his own writing—replete with generalizations, shifting voice (the implicative ``we'' and accusing ``you''), and lack of discipline—would earn him a recommendation to change his major.