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MADELINE AT THE WHITE HOUSE

“In an old white house in Washington, D.C., / Lived as lonely a girl as there can be….” Madeline and her cohorts revisit America in the latest sequel from Bemelmans’ grandson—this time to join the president’s solitary daughter for Easter egg–rolling on the White House lawn. That night (as Miss Clavel and the other girls sleep off the effects of too much party food), Penelope and Madeline enjoy an aerial nighttime tour of the city’s monuments courtesy of the magician introduced in Madeline’s Christmas. As before (Madeline and the Cats of Rome, 2008, etc.), Marciano closes with a note linking this spinoff to his grandfather’s unfinished work. He also pairs verse that channels his esteemed progenitor’s in tone and occasionally forced rhyme to illustrations that make a close but not exact match in style. Sandwiched between endpaper views of the Tomb of the Unknown Soldier (Bemelmans is buried in Arlington), this homage offers a reasonably seamless continuation of the classic series, far closer in lilt and spirit than, for instance, the recent spate of Corduroy and Curious George travesties. (Picture book. 4-6)

Pub Date: Jan. 1, 2011

ISBN: 978-0-670-01228-2

Page Count: 48

Publisher: Viking

Review Posted Online: Jan. 1, 2011

Kirkus Reviews Issue: Nov. 15, 2010

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THE SCARECROW

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE CRAYONS TRICK OR TREAT

A laugh-inducing Halloween read-along.

The Crayons return in time for Halloween as vampire-costumed Purple coaches the dressed-up wax pack through its first trick-or-treating venture.

It takes five houses’ worth of door-knocks for this skeleton crew of seven to perfect the protocol, with enough outlandish flubs to generate giggles in Halloween-savvy preschoolers. At Door No. 1, Orange, dressed as a jack-o’-lantern, says, “Give us your candy, Lady.” At the next, the gang, encouraged by Purple to “think holiday,” responds with an impressive array of misguided greetings, including “Merry Christmas!” and “Happy American Cheese Month!” Later, White, levitating impressively in a ghost costume, overreacts to Halloween’s “scary” aspect by overwhelming residents with a “BOO!” Peach, unnamed here but recognizably wrapperless from the initial title, exuberantly (and inappropriately) repeats, “I’m naked!” Finally, the troupe perfects its treat-inducing line, though a certain ghost cannot resist an ad lib. This excursion, like many of the holiday-themed Crayon books, has a smaller trim size, a lower price point, and far less complexity than Daywalt and Jeffers’ first two Crayon titles. Still, the pair deftly let young children in on the jokes through funny, hand-lettered dialogue and the visually telegraphed, all-in haplessness of this well-branded band. (This book was reviewed digitally.)

A laugh-inducing Halloween read-along. (Picture book. 4-6)

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-62102-8

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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