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ON THE HOUSE

A WASHINGTON MEMOIR

Boehner doesn’t take himself too seriously, but this is a serious study in how our politics went so far off track.

Much anticipated tell-all by the former speaker of the House of Representatives.

Boehner (b. 1949), the former Ohio congressman who served as speaker from 2011 to 2015, has a flair for the crude mot juste and a willingness to scrap, as when he told Don Young, a powerful, long-serving fellow Republican, “Fuck you.” Granted, Young had put a knife up to his throat—a knife, Young would later say, that grew longer and sharper every time Boehner told the story. The author, who grew up in his father’s Ohio bar, has plenty of stories to tell. Some of them come with grudging admiration: He never liked Trump, but he gives him credit for his ruthless political maneuvering. He laments the radical craziness of the current GOP, touting Mitt Romney as the kind of conservative who should have led the party “before the rabble-rousers decided he wasn’t a big enough lunatic for their liking.” Not that Boehner cares much for Obama and the left either, whom he accuses of arrogance—though he does write about his friendships with Teddy Kennedy and Joe Biden. Valuable lessons in crossing the aisle came from Gerald Ford, who kept him from becoming “a bomb-throwing Meadows/Mulvaney-type jackass.” In passing, after denigrating almost everyone in national politics, Boehner corrects his bibulous image. As he writes, he preferred beer when he came to D.C., learned that hard liquor was a recipe for disaster, and switched to red wine. “Drinking wine is a marathon, not a sprint, and makes sense for the more mature drinker,” he counsels. That, a pack of cigarettes, and a golf club, and he seems to have quite enough to keep him contented far from the fray.

Boehner doesn’t take himself too seriously, but this is a serious study in how our politics went so far off track.

Pub Date: April 13, 2021

ISBN: 978-1-250-23844-3

Page Count: 288

Publisher: St. Martin's

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 15, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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