An eminently instructive guide for law students, and for general readers an authentic version of a world they normally see...
In his impeccably detailed memoir, trial lawyer Tucker (May God Have Mercy, 1997) takes readers through some of the most celebrated and notorious courtroom dramas of the 20th century.
You expect an attorney to emphasize specifics: when discussing his defense of a paranoid schizophrenic in the mid-1960s, for example, Tucker describes the moment he received the call from the defendant’s father, how he arranged to meet the man, why the courts of that time failed to provide justice for the mentally ill. What’s surprising is how breezy and engrossing the narrative is. Readers will want the details to unfold because, like members of a jury, they know an argument or lesson is going to reveal itself at some point. Usually the author’s lessons reaffirm the sanctity of the judicial system. Even though many of the cases here involve justice breaking down, unfair judges, rigid bureaucracies, and politics muddling up the courtroom, ultimately each example Tucker provides ends with the triumph of truth over falsehood. His chapter on the trial of the Chicago Eight is a case in point. Tucker writes that US Judge Julius Hoffman performed horribly in the case, which involved the so-called conspirators who organized a demonstration outside the Democratic National Convention in 1968. The judge was biased throughout the proceedings, going so far as to jail some of the defendants’ lawyers and later sentencing almost everyone who was part of the case to a few years in prison for contempt of court. In the end, Hoffman’s draconian actions were overturned, and Tucker argues that the circus arising from the trial sent a message to other judges that they couldn’t quash people’s First Amendment rights so easily. He wonders if a popular movement will protect due-process rights in the war against terrorism.
An eminently instructive guide for law students, and for general readers an authentic version of a world they normally see only through the meretricious lens of TV courtroom dramas.Pub Date: March 1, 2003
ISBN: 0-7867-1113-2
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
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