A clever conceit but a bland execution.
In this minimalist Australian import, readers are encouraged to guess animals based on select written and visual clues.
On each recto, readers see the hindquarters of an animal, and three simple clues ask them to guess what kind of animal they may belong to. “I have long furry ears and a small nose. / I live in a burrow in the ground. / I have a white fluffy tail. / I AM A….” The splashy watercolor rear legs and tail are ambiguous enough that they may have readers second-guessing the obvious answer. Turning the page, however, readers discover both the well-defined front half of the animal and the animal’s name: “RABBIT.” Canty uses stock 19th-century animal illustrations layered with watercolor enhancements, creating a somber yet surprising tone. Two tailless animals, a frog and human readers, are included in the roster, making the “tails” referenced in the title symbolic rather than literal. Two red herrings, the image of a mouse between the clues for and image of an elephant and (inexplicably) a squirrel leading to a giraffe, fall flat, with no other cues to young readers that they are jokes. The quirky illustrations, earthy colors, and lack of exhibited enthusiasm will make this book’s audience a niche one. There is no backmatter.
A clever conceit but a bland execution. (Informational picture book. 2-5)Pub Date: Oct. 23, 2018
ISBN: 978-1-5362-0033-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
Genial starter nonfiction.
Panels activated by sliding tabs introduce youngsters to the human body.
The information is presented in matter-of-fact narration and captioned, graphically simple art featuring rounded lines, oversized heads and eyes, and muted colors. The sliding panels reveal new scenes on both sides of the page, and arrows on the large tabs indicate the direction to pull them (some tabs work left and right and others up and down). Some of the tabs show only slight changes (a white child reaches for a teddy bear, demonstrating how arms and hands work), while others are much more surprising (a different white child runs to a door and on the other side of the panel is shown sitting on the toilet). The double-page spreads employ broad themes as organizers, such as “Your Body,” “Eating Right,” and “Taking Care of Your Body.” Much of the content is focused on the outside of the body, but one panel does slide to reveal an X-ray image of a skeleton. While there are a few dark brown and amber skin tones, it is mostly white children who appear in the pages to demonstrate body movements, self-care, visiting the doctor, senses, and feelings. The companion volume, Baby Animals, employs the same style of sliding panels to introduce youngsters to little critters and their parents, from baboons to penguins.
Genial starter nonfiction. (Board book. 2-5)Pub Date: March 5, 2019
ISBN: 978-2-40800-850-5
Page Count: 12
Publisher: Twirl/Chronicle
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Caregivers eager to expose their children to fine art have better choices than this.
From “Apple” to “Zebra,” an alphabet of images drawn from museum paintings.
In an exhibition that recalls similar, if less parochial, ABCs from the Metropolitan Museum of Art (My First ABC, 2009) and several other institutions, Hahn presents a Eurocentric selection of paintings or details to illustrate for each letter a common item or animal—all printed with reasonable clarity and captioned with identifying names, titles, and dates. She then proceeds to saddle each with an inane question (“What sounds do you think this cat is making?” “Where can you find ice?”) and a clumsily written couplet that unnecessarily repeats the artist’s name: “Flowers are plants that blossom and bloom. / Frédéric Bazille painted them filling up this room!” She also sometimes contradicts the visuals, claiming that the horses in a Franz Marc painting entitled “Two Horses, 1912” are ponies, apparently to populate the P page. Moreover, her “X” is an actual X-ray of a Jean-Honoré Fragonard, showing that the artist repainted his subject’s face…interesting but not quite in keeping with the familiar subjects chosen for the other letters.
Caregivers eager to expose their children to fine art have better choices than this. (Informational picture book. 3-5)Pub Date: Sept. 17, 2019
ISBN: 978-1-5107-4938-2
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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