The tale of the clever con artist who just happens to be a feline is retold with flair and a knowing wink. Puss devises a plot to empower and enrich his young master that concludes with a happy ending for all, with the possible exception of the ogre. The young master who becomes Lord Fortunato is as much a pawn in Puss’s game as any of the others, but he is a willing one. There is no whitewash here: Puss remains the hero in spite of the fact that just about everything he says and does involves deceptions and tricks. Phooey on morals; children have loved this tale of trickery for centuries. Cech employs a mixture of traditional and modern syntax and sensibilities that keeps the action lively and light. Oberdieck’s colorful and detailed illustrations perfectly complement the text’s style. The settings, costumes and accoutrements evoke a general medieval atmosphere, while the characters’ facial expressions often seem knowing and modern. Delicious, naughty fun. (Picture book/folktale. 4-9)
Pub Date: April 6, 2010
ISBN: 978-1-4027-4436-5
Page Count: 32
Publisher: Sterling
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: March 15, 2010
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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