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EMPTY WORLD

The disaffection Nell develops after his parents and siblings are killed in a car crash probably helps him through the next disaster, as his grandparents and then, it seems, everyone in the world is killed off by a plague that first hits the aged and then works down. Nell experiences the one-day fever but somehow escapes the hideous second stage, a swift premature aging process; from then on he goes methodically about the business of survival, finally tracking down two girls—gentle, passive Lucy with whom he comes to a romantic understanding, and hostile Billie, her companion, who bitterly resents his homing in. Christopher is well known for his post-Disaster science fantasies, but this totally credible adventure, set in a very immediate future, requires no imaginative reorientation. Most impressively, Christopher repeatedly confounds one's expectations of an easy out. The plagueorphaned children whom Nell takes in early on, and who seem destined to break through his protective numbness, age and die before his eyes; the other survivor, probably around his own age, who sends out his address by balloon, turns out to have hanged himself shortly before Nell's arrival—a real jolt, this, but one that shocks Nell into seeking others; and when Billie at last lures him away and tries to kill him, Nell and Lucy pass up the chance to get off on their own, instead taking her back into their lives despite the likely risk and certain aggravation. Of Nell's experiences and encounters only the acquiescent Lucy seems the figment of an adolescent male (and pretty weak) imagination; the rest is compellingly chilly, and real as tomorrow's breakfast.

Pub Date: March 20, 1978

ISBN: 0140373888

Page Count: 134

Publisher: Dutton

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: March 1, 1978

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAYBE

More gift book than storybook, this is a meaningful addition to nursery bookshelves

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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