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THE LEVEL PLAYING FIELD

A compelling economic theory wrapped in a shopworn plot.

In Kingston’s debut thriller, an American investigates a secret society that controls Japan’s economy. 

Economist Scott Maxwell is attempting to devise a quantitatively precise metric that captures trade imbalances between the United States and Japan. In the process, he meets Tori Tahashi, a Canadian-Japanese filmmaker whose cousin Sachi Yoshida was murdered by an unknown party. Sachi had been secretly recording the goings-on at the Bonsai Club, an exclusive members-only redoubt in Tokyo that serves as the headquarters of the shakai, a secret society that’s existed since the 12th century and manipulates much of the Japanese economy. The shakai figure out that Tori is in possession of Sachi’s footage, and they send operatives to break into his home and steal it. Scott and Tori join forces to investigate the shakai, and they fly to Japan after Scott’s contact in the CIA provides Tori with false documentation to conceal his identity. Kingston thrillingly chronicles the shakai’s dogged pursuit of the main characters, revealing the group to be essentially a criminal organization with nationalistic objectives—one that’s fully prepared to murder their enemies, if necessary. The narrative also provides a peek into the group’s inner workings as it follows the rise of Akio Morita, a new initiate, through its ranks. However, the novel is mainly a vehicle for presenting a trade-imbalance theory, which the author articulates with impressive clarity; it holds that Japan sneakily subsidizes its exports, manipulating the market and its own currency and thus destroying any possibility of fair trade with the United States. The theory is compelling enough that readers may wish that Kingston had developed it in greater detail, as the rest of the cloak-and-dagger plot is formulaic and unconvincing. Also, the prose style, especially in dialogue, can be breathlessly melodramatic; for example, the Kani, members of the shakai, often speak like comic-book villains: “You have begun to understand the power of the Kani, the responsibility that transcends the individual. You'll soon learn how to call upon this power, as you may one day be called to fight the enemies of the Empire.”

A compelling economic theory wrapped in a shopworn plot. 

Pub Date: April 2, 2017

ISBN: 978-0-9959542-1-2

Page Count: 278

Publisher: Time Tunnel Media

Review Posted Online: Dec. 14, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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