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GLAD TIDINGS

A FRIENDSHIP IN LETTERS

When the editor and John Cheever met in the service in 1943- -they were both stationed in Queens—Cheever was already well along in his career as a short-story writer. For the next four decades, until Cheever's death in 1982, the two maintained a correspondence that is, not surprisingly, lopsided in quality. An amiable hack writer, Weaver intersperses among Cheever's 234 letters lots of chatty and curious material, much of it having little to do with Cheever. He quotes from his own journals and his wife's diaries, and the result is a true literary curiosity—an indulgence that can be as charming as it is exasperating. The meatiest letters from Cheever seem familiar from son Ben Cheever's earlier selection (1988), though Weaver never tells us exactly how many here are repeats. Nor does he explain his use of ellipses: When are they part of the letter and when do they indicate elisions by Weaver? In any case, Cheever's letters include vintage descriptions of domestic details; of chronic boozing; and of endless money problems. Cheever's humor at his own expense is always ingratiating, and his travel reports equal details in his fiction. All in all, though, both writers avoid being too serious, and live down to Cheever's own description of a good letter: It ``should be like a daisy in the field, charming for a moment, not much to smell, soon dead.'' A running joke about the ``wrinkled crotch'' in Cheever's pants grows tiresome, and suggests how little of substance the two friends discussed in their letters. Occasional brilliant passages by Cheever make up for Weaver's detailed brushes with fame. An oddity of interest only to Cheever fans.

Pub Date: Sept. 1, 1993

ISBN: 0-06-016957-5

Page Count: 384

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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