This urban tale features an intriguing hero, albeit one hampered by unnecessary details.
In this YA novel, a teenager grows up in a tough inner city.
Thirteen-year-old Naz Andersen lives in a part of the city known as the Exclave, a place filled with the nightly sounds of “a dog barking relentlessly, sporadic gunfire, sirens in the distance.” Living in foster care with his little sister, Meridian “Meri” Liberty Slaughter, Naz endures a life full of trials and peculiarities. A lover of chess, his own hair, and dreaming, Naz often sleepwalks at night and hears voices during the day. While Naz gets therapy to attempt to sort out such issues, he is not so sure it is working. The Exclave is, after all, not the ideal location for teenage introspection. Living in a place awash with “incessant violence,” Naz and his friend Ham become wounded in an altercation with gang members. Although Naz’s injury is not serious, he is haunted by the interaction, particularly as it proves to not be his last confrontation. Meanwhile, Naz hopes Meri will enter the prestigious International Academy, a “private school outside of the Exclave.” Will Naz and Meri manage to transcend their circumstances? While the idea of a place like the Exclave is not particularly inventive, Naz makes for an imaginative protagonist. As Winston’s (IA: B.O.S.S., 2015) book progresses, Naz uncovers more that sets him apart from his peers, including revelations about his past and his potential for the future. His journey of self-discovery is, however, slowed by extraneous information. Naz manages to make some money by transporting goods among local stores (known as the Market Merchants) to ensure needed items are in stock. It is a job that proves no more fascinating to read about than to accomplish, particularly as the reader is told how Naz came up with such an occupation, ending with the summation that four stores “hired Naz as a supply link to make sure they stayed supplied through the sharing of resources and settling up once a week.” Of much greater interest is a teenager who, despite his love of chess, won’t play for the school team because “it’s too easy.” Will such a boy one day escape from the Exclave and what will he be like when he does?
This urban tale features an intriguing hero, albeit one hampered by unnecessary details.Pub Date: March 17, 2014
ISBN: 978-0-9916091-0-9
Page Count: 218
Publisher: Purple Ash Press
Review Posted Online: Feb. 8, 2017
Review Program: Kirkus Indie
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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