Insightful, imaginative fictions strengthened by a clear moral undertone.
DiFelice’s (American Zeroes, 2016) debut short story collection offers up a complete world in nine offbeat tales.
The book’s opener, “Does the World Make Sense?” introduces readers to Ernie Pendleton and his wife, Dora, a couple who no longer have sex but who still navigate sexual jealousy every day. Dora’s suspicions are exposed as baseless from the first few lines; it seems that there’s a noisy spot in the basin where Ernie showers every morning that causes the trouble, “a piece of engineering feculence so poorly wrought and installed that it made a high-pitched gasp every time he stepped on a spot in the center.” Dora thinks that the orgasmic sound must come from a woman he’s with. One day Ernie comes back to the house with another woman “on him”—the gory, terrible result of a bomb blast in the subway, which spins the story toward a weird resolution. Another tale probes the bizarre connections among a husband, a wife, and a fertility specialist whom the husband nicknames “Dr. Sperm,” who helps them conceive. A male character in “The Perils of Believing in Santa Claus” belittles his 9-year-old son for still believing in myths and learns a powerful lesson in faith from his wife. Although most stories are told from a male point of view, a few convincingly take up a woman’s perspective—and in both cases, the women seem to know more than the men. In one sci-fi-tinged story, for example, a sister finally understands her brother’s grief because she knows what her brother wanted to hear—something that their late father never said. The narrative tone throughout is smart and wary, as in this careful line from a funeral service: “The cantor sang ‘Here I am Lord’ with such genuine emotion that it nearly punctured the blanket of numbness covering the whole of my body”—nearly, but not quite, as the story is just beginning. The lyric poems that appear between the stories, however, seem unnecessary, and their intent is unclear.
Insightful, imaginative fictions strengthened by a clear moral undertone.Pub Date: June 14, 2017
ISBN: 978-1-5371-2928-0
Page Count: 148
Publisher: CreateSpace
Review Posted Online: June 24, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Review Program: Kirkus Indie
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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