A satisfying mystery and sympathetic characterization make this author a writer to watch.
A down-at-the-heels journalist returns to his hometown to investigate the murder of an old friend in this debut novel.
Wes Byrne, former reporter, is at the end of his rope. His most important story—the investigation into illegal dumping of toxic waste into a river—resulted in a family’s blaming him for a man’s death; his beloved wife, Jan, succumbed to ovarian cancer; and his grief so informed his recent work at the Providence Sentinel that he’s been sacked from his columnist job for being too depressing. When his friend Stevie Darby is stabbed to death in a bar, Byrne is forced to travel to his hometown for the funeral, where his luck stubbornly refuses to get better. He has no sooner arrived back in East Hastings when his Camry is stolen; he’s reacquainted with a former bully–turned-cop; and a potential liaison with an ex-crush is spoiled by her sudden, violent death. Pretty soon, Byrne is up to his ears in a conspiracy involving a car theft ring and the export of stolen goods, punctuated by a rash of murders that all echo the death of Stevie. And when his former editor Hopkins Brewster “Hoppy” Weatherly demands that he use his talents for the local paper, Byrne begins to wonder whether any story is worth the damaging fallout. If this all sounds too grim to be entertaining, fear not. The prose is fluid and eminently readable, and what could have been a hard-boiled ordeal is given a light, almost irreverent touch. Essick boasts an affectionate eye for the dynamics of male friendship and the vagaries of small-town life. (At one point, Byrne muses about a local diner: “The mention of the Town Crier brought back warm memories of teen-age nights spent languishing in the comfortably upholstered booths and sharing tall tales of sexual exploits.”) This helps mitigate Byrne’s inherent passivity and inertia as a protagonist and those occasional moments when the light touch veers into farce and verges on glib. These minor flaws prevent the novel from being as compelling a read as it could have been. But Essick’s skillful handling of both characterization and the central mystery means that, while the pages may not turn as quickly as they could, it’s still an enjoyable read.
A satisfying mystery and sympathetic characterization make this author a writer to watch.Pub Date: Nov. 22, 2017
ISBN: 978-1-62694-809-9
Page Count: 380
Publisher: Black Opal Books
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: April 1, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
