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THANKSGIVING BREAKFAST

YOU CAN GO HOME AGAIN

A conversational novel, full of historical details, which struggles to find its narrative voice.

A group of high-school friends navigates the turbulent ’60s and the decades that follow in this debut novel of small-town America.

The story’s six main characters represent classic types: the high school sweethearts who don’t go to college and marry young, the beatnik who believes that music can save the world, the boy who goes into the military willing to die for his country, the young man in love and the unattainable girl he worships. They all reunite each year for breakfast on Thanksgiving Day—meetings that consist of far more drinking than eating—and share their experiences. Through conversation they reveal their shifting ideologies, their professional aspirations, their struggles with relationships, their small victories and betrayals. They also discuss current events, from the assassination of President John F. Kennedy to the advent of Viagra, depicting a nation suffering the same growing pains as they are. But while the novel’s multitude of characters gives it scope, its use of a third-person omniscient narrator leaves readers a bit adrift in the sea of discussion, unable to develop strong bonds with the characters. Alex Flynn emerges early as the potential protagonist, as his relationship with Nancy, an impeccable Christian girl with missionary aspirations, is the novel’s most interesting dynamic. But readers get to know Alex and the other characters mainly through expository dialogue and never get full access to their interior lives. The novel’s strength is in its nostalgia; readers will likely feel as if they are overhearing exchanges from decades past.

A conversational novel, full of historical details, which struggles to find its narrative voice.

Pub Date: Dec. 10, 2012

ISBN: 978-1479168224

Page Count: 492

Publisher: CreateSpace

Review Posted Online: Feb. 28, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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