Urgent, worthy reportage from our fractious, volatile social and cultural moment.
edited by John Freeman ‧ RELEASE DATE: Sept. 5, 2017
A penetrating multidisciplinary collection attacking today’s social fissures of privilege and inequality.
Former Granta editor Freeman (How to Read a Novelist, 2013, etc.), founder of the eponymous literary biannual, expands on a previous anthology regarding New York City’s inequality with this follow-up. “This is not just an urban problem,” he writes. “In smaller cities and towns and in rural America the gulf between the haves and have-nots stretches just as wide, even if its symptoms are not so visible.” While these parameters seem broad, Freeman’s mandate is fulfilled by the uniformly high quality of the contributors. Most address the topic obliquely, avoiding bombast in favor of grounded social narrative or the perspective offered by formative experience. Rebecca Solnit begins with a meticulous journalistic look at “Death by Gentrification,” in which a flashpoint of police violence in San Francisco revealed corrosive changes within trendy neighborhoods. In “Trash Food,” Chris Offutt connects his unease with intellectual condescension toward impoverished rural people with his own conflicts about identity: “As [Southern] cuisines gained popularity, the food itself became culturally upgraded.” Novelist Richard Russo addresses current politics more directly, noting that literature used to reflect engagement with a working class that now appears dismissed. “One can be sympathetic to Trump voters,” he writes, “without giving them a free pass.” Some pieces are directly autobiographical—e.g., Sandra Cisneros’ “Notes of a Native Daughter,” in which she writes, “Chicago’s Magnificent Mile made others feel magnificent but only made me ashamed of my shoes.” Others use the working writer’s unique situation as a lens for particular subtopics: Karen Russell’s long, affecting “Looking for a Home” portrays house-shopping in Portland during a homelessness epidemic as a moral challenge. Eula Biss’ powerful “White Debt” deftly wields financial metaphors. The anthology is rounded out with fiction and poetry from Joyce Carol Oates, Edwidge Danticat, Joy Williams, Kevin Young, Ann Patchett, Annie Dillard, Roxane Gay, Timothy Egan, and others.
Urgent, worthy reportage from our fractious, volatile social and cultural moment.Pub Date: Sept. 5, 2017
ISBN: 978-0-14-313103-8
Page Count: 304
Publisher: Penguin
Review Posted Online: May 25, 2017
Kirkus Reviews Issue: June 15, 2017
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edited by John Freeman
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by John Freeman
by Ibram X. Kendi ‧ RELEASE DATE: Aug. 13, 2019
Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.
In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.
Not an easy read but an essential one.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-50928-8
Page Count: 320
Publisher: One World/Random House
Review Posted Online: April 28, 2019
Kirkus Reviews Issue: May 15, 2019
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edited by Ibram X. Kendi ; Keisha N. Blain
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by Ibram X. Kendi ; illustrated by Ashley Lukashevsky
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SEEN & HEARD
SEEN & HEARD
by Ijeoma Oluo ‧ RELEASE DATE: Jan. 16, 2018
Straight talk to blacks and whites about the realities of racism.
In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”
A clear and candid contribution to an essential conversation.Pub Date: Jan. 16, 2018
ISBN: 978-1-58005-677-9
Page Count: 256
Publisher: Seal Press
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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