A supremely useful spelling resource for native and non-native speakers alike.
A volume examines the quirks of English in a logical, no-frills manner.
In this work, Fulford (To Reach the Sea: The Creation of Bolivia and Its Extraordinary Struggle to Survive, 2014, etc.) asserts that despite the English language’s reputation as a lawless territory, there are certainly patterns to be found and studied. He begins with a brief history of the language and notes the contributions of familiar figures such as Samuel Johnson, Noah Webster, Benjamin Franklin, and Melville Dewey. The author also explains why spelling reform movements have met with varying degrees of success over the years, for reasons both linguistic and sociological. Early chapters may resurrect memories of long-forgotten school lessons on syllabification, apostrophes, plural formation, and doubling the consonant. But the bulk of the text focuses on the workings of individual letters or common letter groupings. The author identifies illogical usages, sharing a student’s understandable frustration with the more difficult spelling groups. For instance, he writes: “Without a doubt, the most annoying spellings in the English language are the ancient igh, ough, and augh. They are thousand-year-old relics that should have vanished centuries ago, but never did.” Near the end of the book, Fulford straightens out potential confusion concerning homographs, homophones, homonyms, and heteronyms. One minor quibble involves formatting issues, whereby some boldfaced passages featured in the margins of one chapter actually refer to text in a different chapter. Nonetheless, the author strikes a difficult balance, as each chapter presents a well-chosen number of examples that fit the patterns discussed alongside notable exceptions. Thus, the guide is not as dry as one might imagine. Fulford wryly remarks on the exceptional pronunciation of the NBA’s Boston Celtics (Seltics, not Keltics) and includes the following historical note: “In the overly quaint Ye Olde Tea Shoppe, the word ye was originally pronounced the. The y takes the place of an ancient letter called a thorn, now no longer used, that had the th sound.” For those who have always wondered about such matters, the mystery is solved.
A supremely useful spelling resource for native and non-native speakers alike.Pub Date: April 24, 2012
ISBN: 978-0-9831872-1-9
Page Count: 146
Publisher: Astoria Press
Review Posted Online: Dec. 9, 2015
Kirkus Reviews Issue: Feb. 1, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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