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CALICO JOE

It’s 1973, another magic baseball season. The National League East has six teams contending, among them the traditionally...

Only one player in Major League Baseball history has been hit and killed by a pitch, but bean balls—balls thrown near the head—have ended careers. Grisham’s (The Litigators, 2011, etc.) novel imagines the act and its consequences.

It’s 1973, another magic baseball season. The National League East has six teams contending, among them the traditionally hapless Chicago Cubs, soon jinxed once again when its first baseman is injured. Now the Cubs must add a minor leaguer to the roster. That's Joe Castle, a kid from Calico Rock, Ark. Calico Joe immediately begins to set rookie records, leading the Cubs to the top of the standings. Watching from New York is Paul Tracey, a baseball fan as avid as only an 11-year-old boy can be. In fact, Paul’s father pitches for the New York Mets, but Warren Tracey, “accustomed to getting whatever he wanted,” is a jerk. Warren is a journeyman pitcher, solid in an occasional game, kicked around from one team to another, never an All Star. Warren also abuses his family, drinks and chases women. The novel unfolds from Paul’s adult perspective, with flashbacks. The crucial plot point comes in a flashback when Calico Joe, putting up “mind-boggling” numbers over 38 games, meets Warren in Shea Stadium and hits a home run. During his next at bat, as part of some unwritten “code,” Warren goes head-hunting and beans the young player. Calico Joe’s career is over, and he drifts home to Calico Rock, partially paralyzed, speech impeded, to work as a groundskeeper rather than earning a plaque in baseball’s Hall of Fame. Decades later, long estranged from his father, Paul learns that Warren is dying of pancreatic cancer, and he decides to force his father to confront what he did to Joe Castle. Interestingly, the novel’s most fully formed character is Warren, and while the narrative and settings are solid, the story drifts toward a somewhat unsatisfying, perhaps too easy, conclusion.     A reconciliation story, Hallmark style.

Pub Date: April 10, 2012

ISBN: 978-0-385-53607-3

Page Count: 208

Publisher: Doubleday

Review Posted Online: March 14, 2012

Kirkus Reviews Issue: April 1, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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