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BENJAMIN FRANKLIN AND THE QUAKER MURDERS

An entertaining, educational mystery that neatly bridges the gap between fact and fiction.

An illustrious Founding Father adds supersleuth to his resume in McElroy’s (America’s Culture: Its Origins & Enemies, 2016, etc.) well-researched historical novel.

Jacob Maul, a Philadelphia Quaker, has been accused of murder after the body of his housekeeper, Lizzy Coons, was found on his property. An additionally damning complication for Maul—his second wife died under mysterious circumstances several years earlier. Unbeknownst to the Quaker, his greatest hope for acquittal lies with 79-year-old Benjamin Franklin. The beloved public figure, “the greatest man in America after General Washington,” believes in Maul’s innocence. Franklin enlists the assistance of family acquaintance and Revolutionary War veteran James Jamison to investigate Lizzy’s death. Despite his initial reluctance, Jamison is swayed by Franklin’s thoughtful arguments and agrees to take the case. McElroy offers an excellent whodunit, carefully crafting a range of suspects and dolling out numerous red herrings. The Holmes and Watson dynamic is apparent as the elder statesman parses out the clues and lectures on the importance of a method of inquiry. Franklin provides the financial backing and deductive reasoning while the more youthful Jamison spends his days tracking down information and suspects. Jamison is an endearing protagonist and a suitably straight-laced foil for the idiosyncratic Franklin, a Renaissance man with wide-ranging talents and intellect. And while Franklin tends to natter on, McElroy incorporates historical facts without lecturing readers. The depth of McElroy’s research and his background as a scholar is apparent throughout, both in his portrayal of 18th-century Philadelphians and Franklin in particular. McElroy subtly references Franklin’s ingenuity while also illuminating his quirky, appealing personality; for example, Jamison is summoned to a meeting with Franklin while the Founding Father soaks in a bathtub wearing a fur hat.

An entertaining, educational mystery that neatly bridges the gap between fact and fiction.

Pub Date: June 14, 2017

ISBN: 978-1-946409-10-2

Page Count: 299

Publisher: Penmore Press

Review Posted Online: Sept. 26, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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