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BOON ON THE MOON

Exemplary characters enliven a comical lunar romp.

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A young troublemaker on Earth has a chance to be a hero on the moon when he and other colonists face a natural disaster in this middle-grade SF tale.

Byron Barnett’s stirring imagination—and a device he calls a “biomass transducer”—allow him mentally to visit the moon and converse with José Ignacio, a 12-inch toy robot he sees as 7 feet tall. But the Arizonan’s love of adventure sometimes clashes with his parents’ rules. When he defies parental orders and spends his Saturday spelunking, he gets stuck and needs police assistance. Now he’s in legal trouble for excessive use of emergency and utility services. To avoid a hefty fine and hard labor, the Barnetts accept the judge’s third sentence option, “corrective exile.” It’s on the moon, and the entire family can go, as Byron’s engineer father already has a job offer pending there. Along with his parents, the almost 10-year-old Byron and his older brother, Taji, make the move, and he’s soon taking the “lunar school bus” to school and sometimes exploring his new world on his own. But threatening everyone on the moon is an approaching white worm, a space phenomenon that’s part black hole, part wormhole, and all catastrophe. As meteoroids rain down on the moon’s surface, Byron tries rescuing the people, including his family, who missed the lunar evacuation. Huddles’ literary debut is a brisk, delightful story. Though Byron is the undisputed protagonist, each Barnett is well-established. For example, the Barnetts adopted Taji, who is Swedish Kenyan, as they had been friends with his late parents. The highlight, however, is the friendship between Byron and José Ignacio. Byron is unquestionably imagining their conversations, and the generally reluctant José Ignacio is his apparent conscience. Huddles caters to his younger middle-grade readers, defining some of the big words, providing occasional reminders that José Ignacio is a toy, and italicizing dialogue when people are speaking via space helmet intercom. The prose and action are fast-paced and often funny: A bus that swerves to avoid a crashing meteoroid contains passengers “of the screaming variety.” This book launches a prospective series featuring Byron, and the time-jump ending is a clear setup for a sequel.

Exemplary characters enliven a comical lunar romp.

Pub Date: March 4, 2020

ISBN: 978-0997085181

Page Count: 216

Publisher: Notable Kids Publishing

Review Posted Online: March 7, 2020

Kirkus Reviews Issue: May 1, 2020

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ESCAPE

Thrills galore for gamers willing to go along for the ride.

A new virtual-reality theme park goes haywire on a crowd of young ­­victims, er, visitors in Alexander’s latest screamfest.

Having scored one of just 100 coveted preview tickets to a cutting-edge, kids-only venue dubbed ESCAPE, budding amusement park fan and designer Cody Baxter is looking forward to a life-changing experience. What he gets is more of a life-threatening one, as games and rides with names like Triassic Terror and Haunted Hillside not only pit him against a monster and then zombies—or sometimes a monster and zombies—as well as ruthless competing players, but seem tailored to play on individual personal terrors. And, in some never explained way, the VR quickly turns into real battles that inflict real wounds even as the real settings shift with sudden, dizzying unpredictability. Teaming up with loyal new friends Jayson Torn and Inga Andersdottir, the former described as being Japanese and White and the latter as Norwegian, Cody (who seems to default to White) struggles for survival, learning ultimately that ESCAPE was created by an evil genius with an ulterior motive who is convinced that he can teach children a salutary lesson. The plot’s no more logical in its twists and contrivances than the premise, but the author’s knack for spinning out nightmarish situations is definitely on display here as the tale careens toward a properly lurid outcome.

Thrills galore for gamers willing to go along for the ride. (Light horror. 9-12)

Pub Date: June 7, 2022

ISBN: 978-1-338-26047-2

Page Count: 240

Publisher: Scholastic

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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THE LAST LAST-DAY-OF-SUMMER

From the Legendary Alston Boys series , Vol. 1

This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative,...

Can this really be the first time readers meet the Legendary Alston Boys of Logan County? Cousins and veteran sleuths Otto and Sheed Alston show us that we are the ones who are late to their greatness.

These two black boys are coming to terms with the end of their brave, heroic summer at Grandma’s, with a return to school just right around the corner. They’ve already got two keys to the city, but the rival Epic Ellisons—twin sisters Wiki and Leen—are steadily gaining celebrity across Logan County, Virginia, and have in hand their third key to the city. No way summer can end like this! These young people are powerful, courageous, experienced adventurers molded through their heroic commitment to discipline and deduction. They’ve got their shared, lifesaving maneuvers committed to memory (printed in a helpful appendix) and ready to save any day. Save the day they must, as a mysterious, bendy gentleman and an oversized, clingy platypus have been unleashed on the city of Fry, and all the residents and their belongings seem to be frozen in time and place. Will they be able to solve this one? With total mastery, Giles creates in Logan County an exuberant vortex of weirdness, where the commonplace sits cheek by jowl with the utterly fantastic, and populates it with memorable characters who more than live up to their setting.

This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative, thrill-seeking readers, this is a series to look out for. (Fantasy. 10-12)

Pub Date: April 2, 2019

ISBN: 978-1-328-46083-7

Page Count: 304

Publisher: Versify/HMH

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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