QUEEN ESTHER

After 40 years, Irving returns to the setting of The Cider House Rules (1985) with another sprawling epic, this one keyed to the adoption of a 4-year Jewish girl amid rampant antisemitism.

Born in Vienna in 1905, Esther Nacht became parentless after her father died from pneumonia during their trans-Atlantic voyage to Portland, Maine, and her mother was mysteriously bludgeoned to death after their arrival. Smart and strong-willed but painfully naive, Esther lives at the orphanage in St. Cloud’s, Maine, before she’s taken in by the Winslows, a philanthropic, non-Jewish, eccentrically nonbelieving New Hampshire couple—the only people open to adopting a Jewish child. They do their best to help her learn “how to be a Jew.” In return, she will do anything for them, including having a baby for their childbirth-fearing youngest daughter, Honor, after becoming her nanny. Obsessed with Jewish history, Esther moves back to Europe and eventually to Israel. The eras-spanning novel becomes mostly about her birth child, Jimmy Winslow, a film buff and future novelist who goes to Germany, where he falls in with a female tutor who conducts sessions in his bedroom; a lesbian who “wants to try it with a guy”; and various candidates Honor urges him to “knock up” to avoid the Vietnam draft. But Esther continues influencing family matters from afar through various world conflicts. This long churn of a novel is stuffed with the usual cutesy Irvingisms, including digressions about penises and circumcision and an uncomfortable consideration of young Esther’s bare chest, on which she wants to tattoo a long quote from Jane Eyre. The book can be amusing and its underlying themes of identity and belonging, survival and personal freedom sometimes resonate. But Irving’s treatment of antisemitism comes awfully close to being another stunt.

A sequel for committed Irving fans only.