Another well-hewn American history lesson for Jakes's devoted fans.

THE GODS OF NEWPORT

Folksy storyteller Jakes (Charleston, 2002, etc.) directs a relatively economical drama of scandal and bad manners amid newly rich robber barons climbing the summer social ladder in Newport, RI.

Having cut his teeth working for Erie Railroad moguls Jay Gould and Jim Fisk after the Civil War, Samuel Driver has gotten to be a millionaire railroad baron in his own right—the break-your-knees way. Having married the good-looking hotel dancer Grace Penny, and with a grown auburn-haired daughter named Jenny, Sam the swell is blocked from cracking polite society by the nobs at Newport, however, mainly on account of bad blood between him and William K Brady III, undercut by Driver in a Wall Street bond scheme decades before. Now, in 1893, an intruder in Driver's home leaves Grace dead from a gunshot, and Sam and 18-year-old Jenny decide to build that house in Newport after all, because Grace wanted it. Mrs. Astor, Mrs. Fish and Mrs. Vanderbilt, however, must be vanquished, and especially Mrs. William Brady, Emmeline, aka the Tigress, sherry-sodden and off her rocker, who concocts the plot to ruin Jenny Driver by urging her daughter, Honoria, to befriend the girl all the while talking ill behind her back. And Honoria has her cap set on suave young architect Dickie Glossop, but once Dickie spots Jenny, he agrees to design the new Driver cottage, despite his better social instincts. Jenny has a will of her own, though, and is terribly attracted to a handsome Irish sportsman, Prince Molloy, who wins Jenny's love but pays dearly for it when roughed up by her father's thugs. Driver, naturally, aims to have his daughter married to a titled gentleman, such as the charming, brutal Count Orlov, of bogus Russian-French title, but good enough for Driver's purposes. Historical personages blend nicely with the fictional in Jakes's neatly organized saga, and the folly and ambitions of a father and rapacious businessman are exposed and forgiven.

Another well-hewn American history lesson for Jakes's devoted fans.

Pub Date: Nov. 7, 2006

ISBN: 0-525-94976-3

Page Count: 304

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2006

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

TRUE COLORS

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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