Such thoughts are raised by one great exception to this way of our world: The Library of America. Quietly, without...
As recently as a hundred years ago, in a more assured age than this, the enduring importance of a literary career could be measured by whether an edition of an author’s collected works was issued. Bound in calfskin for the wealthy bibliophile, in a more modest cloth of some subdued hue for the less well-to-do, these sets made several statements about an age. They suggested that readers could most appreciate writers by knowing the entirety of their work and not simply one or two particularly flashy efforts. And those ranks of volumes, filling the shelves of home libraries, further showed that it was possible for individuals to possess much of the best work by the best minds.
Who nowadays would be so audacious as to assert such a possibility? The persistent literary and academic battles raging among various mutually uncomprehending camps would make consensus on most living authors almost unimaginable. And how many writers would be comfortable issuing a set of their complete writings? In a time when authors are only as memorable as their last book, when novelty is king, and when time for reading itself is forever under siege, the leisurely delight implied by collected works seems curious and antique.
Such thoughts are raised by one great exception to this way of our world: The Library of America. Quietly, without contention or confusion, The Library has been issuing authoritative editions of the work of America’s most influential 18th-, 19th-, and 20th-century writers in compact, crisply designed volumes at affordable prices. So swiftly (there are now 108 in print) and with so little controversy in an era notable for wrangling has this been accomplished that it’s shocking to realize that so important a historical and cultural resource as The Library of America has been in existence for only two decades. Again this fall, the eclectic nature of the project is evident in its editors’ offerings, which include the lucid, rather urgent political essays and speeches of James Madison, the surprisingly graceful natural-history writings of John James Audubon, the five influential crime novels of Dashiell Hammett, and a further volume of the stories of Henry James. The Library’s editions are valuable in their own right, providing the finest versions of work that has shaped the national imagination. They’re valuable also, however, as a corrective to the hectic spirit of our age, and as a pointed reminder that what a writer does over a lifetime – not within the confines of one or two bestsellers – is what matters most.Pub Date: Oct. 1, 1999
ISBN: 1-883011-68-X
Page Count: 928
Publisher: Library of America
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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