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THE POWER CHRONICLES

Debut author Parrish brings a likable sensibility to a familiar sci-fi tale of superpowered humans.
The year is 1939, and John and Mary Emerson have a new baby, Jack. They know there’s something different about the 3-month-old, but it isn’t until the mysterious Wyndham Foundation contacts them that they realize that Jack can do things that normal humans can’t do. His budding powers include telekinesis, psychic ability and mind control, and when he grows up, he could be unstoppable. Under the care of his parents and a Wyndham nurse, however, he grows up to be a generally happy, well-adjusted boy. He and others like him are called “sentients,” and explore their power under the tutelage of experienced Wyndham agents. However, not everyone wants to encourage and teach the sentients; many governments, for example, view them as weapons to be controlled and deployed (especially as the Cold War reaches its peak). As Jack reaches adulthood, he learns that not all sentients are good, and as his own powers grow to levels rarely seen before, he must contend with super-beings whose goals are nothing less than absolute domination. He also must contend with his own concentrated harmonic energy field, a force that could ultimately destroy him. Although stories about teens with destructive, awe-inspiring telekinetic abilities are a well-trod field, from Stephen King’s Carrie (1974) to the 2012 film Chronicle, Parrish still lays out an intriguing journey. The novel offers a sprawling cast of affable, memorable heroes and stock villains, resulting in a lengthy but enjoyable story, told at a swift pace. The only downside is that so many characters come and go with increasing rapidity, and events rush by too quickly as the novel races to its true climax. In the end, however, Parrish ties everything together and brings the story full-circle.
A traditional but engaging new addition to a packed genre.

Pub Date: Feb. 26, 2014

ISBN: 978-1492725404

Page Count: 536

Publisher: CreateSpace

Review Posted Online: Sept. 26, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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