Though it lacks both the sociological scope and the double-barreled plotting of Lescroart’s best, this relatively routine,...
Back in the saddle after a brief hiatus for the stand-alone Fatal (2017), San Francisco attorney Dismas Hardy spends most of his time wishing he weren’t. And he’s not the only one.
Half a generation ago, Hardy represented Abby Jarvis when her drunken driving got her charged with vehicular homicide. She did her time, got out of prison, and landed a job as bookkeeper with Grant Wagner, who owned Pipes & Valves plumbing supply. Now Wagner has died, and the cause wasn’t the heart attack it first seemed to his family—sons Gary and Gene, daughters Grace and Gloria—but aconite poisoning, which a tox screen Gloria requested finally caught. The younger Wagners can’t believe Abby could have killed the man who gave her a second chance, but neither can they believe the killer is one of their number, and somebody has to take the rap. So Abby once more calls Hardy, who takes the case for peanuts and then watches the pile of evidence against his client grow and grow. The defense’s only hope, it seems, is that the case will somehow turn out to be linked to the shooting of David Chang that leads off the story but feels like an extra limb. And eventually it is, though not in an especially ingenious or revealing or persuasive way. By that time, though, Hardy’s own son Vincent’s friendship with Chang has Hardy’s wife, Frannie, demanding that her husband walk away from the case, and when he thinks back over the times his friends and relatives have been scalded by the violent crimes he deals with (The Fall, 2015, etc.), he can see that she has a point. Now if only there were a way to get Abby off before the deadline for Hardy’s decision came due….
Though it lacks both the sociological scope and the double-barreled plotting of Lescroart’s best, this relatively routine, expertly handled case is still well worth your time.Pub Date: Feb. 13, 2018
ISBN: 978-1-5011-1570-7
Page Count: 304
Publisher: Atria
Review Posted Online: Nov. 13, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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