Next book

FINAL SECONDS

Looking for some relief from the omnipresent headlines about Theodore Kaczynski, Oklahoma City, and the World Trade Center plot? You won't find it in this Mad Bomber tale, which cleverly draws on all these stories and more. A couple of years after an amateurish package of gelignite disfigures his right hand and gets him pensioned off from the NYPD's bomb disposal unit, ex-Sgt. Will Harper drops in on Jimmy Fahey, the former acolyte who swapped the tension of disarming explosive devices—he was on the scene when Harper got blasted into retirement—for a cushy job running security ops for paranoid, successful thriller author Rod Buckner. Buckner's convinced against all reason that he needs state-of-the-art protection, but none of it protects him against a bomb that goes off just as Harper is leaving the neighborhood. A close shave for Harper—but Harold Addleman, whose alcoholism got him kicked off the FBI's Behavioral Sciences Unit, is convinced that it's much more besides: It's the work of a serial bomber with a taste for famous targets, like tennis player Tim Sothern and Congresswoman Susan Burton Wylie, and a truly scary ability to learn from his own mistakes. Working with Addleman, Harper painstakingly reconstructs a pattern of 22 deaths he can lay to the Celebrity Bomber, and predicts that the 23rd will be blowhard radio commentator Speed Rogers. But all his warnings aren't enough to get through to megalomaniac Rogers or his high-powered, clueless staff (a bit of partisan malice makes this episode especially stinging), and the bomber chalks up another victory and prepares for his climactic strike in Washington, D.C., home to more famous people than Harper, despite his newfound credibility, can possibly protect. The cat-and-mouse game is expertly routine. But veteran Lutz (Oops!, p. 22, etc.) and pseudonymous August shine in dramatizing the up-and-down power of Harper's own dubious celebrity, which makes him a target for a dozen agendas besides the bomber's.

Pub Date: April 1, 1998

ISBN: 1-57566-259-0

Page Count: 320

Publisher: Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

Next book

PLEASE SEE US

A lyrical, incisive, and haunting debut.

In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.

They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.

A lyrical, incisive, and haunting debut.

Pub Date: March 3, 2020

ISBN: 978-1-9821-2748-0

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview