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THE JACKAL OF NAR

Jumbo fantasy, the first of a series entitled Tyrants and Kings, from newcomer Marco. Arkus, Emperor of Nar, has ordered Prince Richius Vantran of Aramoor and his army into Lucel-Lor to assist the autocratic Daegog against a popular uprising led by Tharn, a magic-wielding warrior-priest. But neither supplies nor reinforcements arrive, and Richius’s campaign seems lost—until cavalry sent by the emperor gallops to the rescue. Richius intervenes, however, when their commander, the cruel, arrogant Baron Gayle, attempts to rape the comely young Dyana. Promised in marriage to Tharn, spirited Dyana has rejected the union and fled. Furious, Tharn uses magic to grab Dyana and defeat all his enemies, despite the gods’ injunction that the magic be used only to heal and help. Richius sadly goes home, learning there that his father is dead. The emperor’s spymaster, Count Biagio, instructs Richius to attack Lucel-Lor again: the ancient, dying emperor will stop at nothing to obtain Lucel-Lor’s magic to make him immortal. Biagio warns of horrid consequences if Richius refuses, and gives him the lovely Lady Sabrina for his bride. Though Richius loves Dyana, he dares not refuse Sabrina. Later, Tharn persuades Richius to meet with him in Lucel-Lor. While Richius is away, Biagio deposes him and gives Sabrina to Gayle; the latter, horribly mutilated in the war, hates Richius more than ever. The gods, Richius discovers, have ruined Tharn’s body as punishment for misusing the magic. Yet though Dyana has married Tharn, her daughter is Richius’s. Gayle sends Richius Sabrina’s broken body. Finally, when Richius learns that his father was treacherously murdered, he sides with Tharn to help defend Lucel-Lor against the renewed imperial assault led by the monstrous Gayle. An absorbing, deftly plotted, forgivably overlong debut with promising character developments and a well-rounded, satisfying end.

Pub Date: March 9, 1999

ISBN: 0-553-37984-4

Page Count: 784

Publisher: Spectra/Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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GIDEON THE NINTH

From the Locked Tomb Trilogy series , Vol. 1

Suspenseful and snarky with surprising emotional depths.

This debut novel, the first of a projected trilogy, blends science fiction, fantasy, gothic chiller, and classic house-party mystery.

Gideon Nav, a foundling of mysterious antecedents, was not so much adopted as indentured by the Ninth House, a nearly extinct noble necromantic house. Trained to fight, she wants nothing more than to leave the place where everyone despises her and join the Cohort, the imperial military. But after her most recent escape attempt fails, she finally gets the opportunity to depart the planet. The heir and secret ruler of the Ninth House, the ruthless and prodigiously talented bone adept Harrowhark Nonagesimus, chooses Gideon to serve her as cavalier primary, a sworn bodyguard and aide de camp, when the undying Emperor summons Harrow to compete for a position as a Lyctor, an elite, near-immortal adviser. The decaying Canaan House on the planet of the absent Emperor holds dark secrets and deadly puzzles as well as a cheerfully enigmatic priest who provides only scant details about the nature of the competition...and at least one person dedicated to brutally slaughtering the competitors. Unsure of how to mix with the necromancers and cavaliers from the other Houses, Gideon must decide whom among them she can trust—and her doubts include her own necromancer, Harrow, whom she’s loathed since childhood. This intriguing genre stew works surprisingly well. The limited locations and narrow focus mean that the author doesn’t really have to explain how people not directly attached to a necromantic House or the military actually conduct daily life in the Empire; hopefully future installments will open up the author’s creative universe a bit more. The most interesting aspect of the novel turns out to be the prickly but intimate relationship between Gideon and Harrow, bound together by what appears at first to be simple hatred. But the challenges of Canaan House expose other layers, beginning with a peculiar but compelling mutual loyalty and continuing on to other, more complex feelings, ties, and shared fraught experiences.

Suspenseful and snarky with surprising emotional depths.

Pub Date: Sept. 10, 2019

ISBN: 978-1-250-31319-5

Page Count: 448

Publisher: Tor

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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THE NIGHT CIRCUS

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

 

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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