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NYPD TAKES ON ISIS

Dynamic characters—good and bad guys alike—beef up this action-laden tale.

An NYPD cop heading a counterterrorism unit tries to stop a sleeper cell in the U.S. from launching a strike in this debut thriller.

Capt. Jimmy Gallagher’s first case as commander of the Organized Crime Terrorist Unit is a homicide in Brooklyn. The victim “appears to be” Middle Eastern, and the unusual method of strangulation—leaving a hole in the neck—is reminiscent of al-Qaida’s M.O. for dispatching its own. Tracking the victim via security footage ultimately leads to a gunfight involving a man later identified as a known terrorist on the FBI’s watch list. Authorities not only suspect a domestic terror cell, but a potential link to Russians as well. Indeed, readers know that a group has been prepping suicide bombers strapped with vests of C-4. Jimmy, meanwhile, faces opposition from Department Chief Jim Gates, who was a rival of the captain’s former cop/private investigator father and is currently the mayor’s longtime friend. Furthermore, Gates established the OCTU six months earlier and doesn’t like that the police commissioner took the largely ineffective unit away from him. The chief’s connections could place Jimmy’s career in jeopardy, but that doesn’t stop him from putting his life on the line to ensure the terrorists don’t fulfill their explosive intentions. While Monaghan’s novel has its share of action, most of it is reserved for the final act, with the preceding pages rife with character development. The story offers absorbing exposition, particularly in its concentration on the villains: meticulous details on the methodical construction of explosives and more specifically on a man named Ibrahim, who may be second-guessing his participation in a terrorist attack. At the same time, Jimmy’s curious back story entails accidentally killing his partner in a shootout and dating department psychologist Dr. Jessica Shore. Unfortunately, neither incident has much impact on the main plot, even Jimmy and Jessica’s eventual romance. Nevertheless, there’s a steady pace throughout, including the frequent dialogue exchanges, while Jimmy turns into the kind of protagonist who can easily carry his own series.

Dynamic characters—good and bad guys alike—beef up this action-laden tale.

Pub Date: Aug. 22, 2017

ISBN: 978-1-940773-23-0

Page Count: 314

Publisher: History Publishing Company, LLC

Review Posted Online: Nov. 2, 2017

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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