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SHOPPING CART SOLDIERS

Autobiographical detail provides potent fuel for this uncommon saga of a Vietnam vet's long, agonizing reorganization of the fragments of his war-torn psyche—a moving first novel from San Franciscobased Mulligan. The trials of Finn are only beginning when his tour in Vietnam ends and he's dumped back in the States to fend for himself. His family having emigrated from Scotland just in time for him to be drafted, Finn went to war with even less reason for being there than his fellow grunts—and quickly lost his grip after witnessing the senseless slaughter of a magnificent white bull, then having to fulfill a blood pact with his closest friend, who was wounded in an ambush. Soulless, Finn comes home to wife and child, but his alcoholism drives them away, and he spends 12 years homeless, pushing a shopping cart and sleeping in a park along with other vets. His condition deteriorates almost to the point of no return, but his soul/anima (which he calls ``Madman'') has stuck close in hopes of making him whole again; in a series of magical transformations set in motion by his strong sense of Celtic identity—and aided by the unlikely figure of Robert Louis Stevenson—Finn slowly accepts Madman, along with the more unsavory part of himself he calls ``Redeyes.'' His friends who died in Vietnam, and whose bloody ghosts have long tormented him, are finally laid to rest along with his addiction, allowing him to return to Scotland to prove himself worthy of his heritage. The heroic recovery here is as much personal triumph as reminder of a national shame. Mulligan's fine telling of the story ought to help open a door of hope for others who may have been destroyed like Finn and are still left behind.

Pub Date: Sept. 1, 1997

ISBN: 1-880684-48-9

Page Count: 246

Publisher: Curbstone Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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