Literary satire finds redemption as a character ruled by his genitals discovers he has a heart.
A very funny novel that gets darker and goes deeper as it progresses.
Farce teeters toward tragedy in this novel about an Irish author who long ago enjoyed a critical and popular breakthrough with an international best-seller. He has since sold his services to the highest Hollywood bidder while indulging his voracious appetites without moral compunction. Then he finds himself at the juncture of unlikely coincidence—just as he learns that he is in serious American tax trouble, he receives an extraordinarily generous teaching fellowship in Britain, which he initially resists at least partly because the faculty also includes one of his ex-wives. Protagonist Kennedy Marr is a familiar character, a literary scoundrel who retains his charm; even he acknowledges, in a serious turn, that “he was the most awful, dread cliché: the middle-aged novelist trying to come to terms with his own mortality.” Where it initially seems that Niven (The Second Coming, 2012, etc.) might not have much to offer beyond some hearty laughter (there’s an episode about multitasking with pornography, and ruining another laptop in the process, that is particularly slapstick), the novel turns into an argument about just what a novel—and a life—should be. “The purpose of art is to delight. Not to enlighten. Not to teach,” Kennedy insists, before he develops into a character who proves teachable, if not enlightened. He recognizes that he hasn’t been much of a father to his teenage daughter or son to his dying mother, that at least one of his marriages might have enriched his life if he’d taken it more seriously, and that he has squandered most of life on “another set of sensations to throw in the face of the abyss.” His escapades with an actress, a student and whoever else is handy lead unexpectedly to a climax that is deliriously ambitious and richly satisfying.
Literary satire finds redemption as a character ruled by his genitals discovers he has a heart.Pub Date: Oct. 7, 2014
ISBN: 978-0-8021-2303-9
Page Count: 384
Publisher: Black Cat/Grove
Review Posted Online: Aug. 24, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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