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FIRE ON MOUNT MAGGIORE

A tense, riveting rendering of the struggle between men and the nature they strive to protect.

A harrowing portrait of survivor’s guilt in an Italian fire brigade.

As the story opens, Matteo Arteli, a firefighter in the Italian region of Campania, is burying his entire brigade, casualties of an intense fire on Mt. Maggiore. But Matteo is not the only survivor. Nico–a mysterious American volunteer who had, in the six months since he’d arrived in Italy, become Matteo’s unlikely companion–is still alive in a Naples prison cell. Matteo’s first reaction to Nico was similar to that of the rest of his brigade–he thought him to be lazy, self-indulgent and guarded, choosing to spend his time writing in a diary rather than training or getting to know his colleagues. Matteo’s perspective changes, however, when he and Nico learn that their fathers both died from lung cancer. Based on this shared painful experience, and their work side-by-side, the two men bond, particularly when they are forced to walk through a wall of fire on the job. But as Matteo grows closer to his new friend, his brigade grows more suspicious, calling into question Nico’s diary, his lengthy motorcycle trips around the countryside, his motivations for volunteering and his curiously strong command of the Italian language. To combat the fire on the mountain, Nico lights a back burn, saving his and Matteo’s life, but contributing to the deaths of the other firefighters. What was his motivation? As Nico waits in jail, accused of arson, Matteo struggles to figure out what he believes, while also confronting his survivor’s guilt. Throughout the narrative, Parras displays a solid, if a bit overblown, writing style, and the dynamic relationships between the men are genuinely emotional.

A tense, riveting rendering of the struggle between men and the nature they strive to protect.

Pub Date: Oct. 15, 2005

ISBN: 1-57233-445-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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