At heart a romance (who knows what these well-spoken Cro-Magnons were really like?), rich with gripping escapism and...

SONG OF THE EARTH

Prequel to Dann’s The Song of the Axe (2001), a prehistoric saga that takes place some 30,000 years ago, as the Neanderthals evolve into the Cro-Magnons somewhere in Eurasia.

The story here features the tribe of chieftain Grae before his death and before Neanderthals destroy Grae’s tribe, allowing the bison-hunter Agon, with his whistling-axe mates and golden-haired Eena, known as Spear Woman, to start his own Cro-Magnon tribe. Dann’s smooth-skinned Cro-Magnons are so much like modern man—passionate, spiritual, romantic, intelligent—that one questions whether they evolve from the hairy Neanderthals or are a separate species that displaces the Neanderthals (the Multiregional hypothesis). We follow a number of chieftains named Grae through several generations as the family treks in a great exodus from Africa into Eastern Europe and finds itself in a new land where great rivers overflow with glacial ice melt. For a time, it’s paradise. The figure of the vile Lilith in the present story makes clear that Agon and Eena are our forebears—though not in a Creationist sense—Adam and Eve. When a volcano erupts, the tribe of bulbous-headed Grae is killed but Grae escapes with seven sisters, each of whom he impregnates. Once tree-nesters and more or less vegetarians, they must now be meat eaters, killing birds and animals at a watering hole, and, for safety, turning into cliff dwellers. But as they grow, the smart, bulbous-headed children of Grae, including one difficult child, Ka, cause dissension, and the tribe splits up, with Grae and some of his wives and kids heading north. Grae dies, but the tribe reaches the Promised Land foretold by spirits, and young Grae becomes leader. The tribe meets friendly people and becomes masterful bison hunters, though it must also face enemies.

At heart a romance (who knows what these well-spoken Cro-Magnons were really like?), rich with gripping escapism and comparable to Jean Auel’s Earth’s Children trilogy.

Pub Date: Feb. 1, 2005

ISBN: 0-765-31193-3

Page Count: 384

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.

CODE NAME HÉLÈNE

A historical novel explores the intersection of love and war in the life of Australian-born World War II heroine Nancy Grace Augusta Wake.

Lawhon’s (I Was Anastasia, 2018, etc.) carefully researched, lively historical novels tend to be founded on a strategic chronological gambit, whether it’s the suspenseful countdown to the landing of the Hindenberg or the tale of a Romanov princess told backward and forward at once. In her fourth novel, she splits the story of the amazing Nancy Wake, woman of many aliases, into two interwoven strands, both told in first-person present. One begins on Feb. 29th, 1944, when Wake, code-named Hélène by the British Special Operations Executive, parachutes into Vichy-controlled France to aid the troops of the Resistance, working with comrades “Hubert” and “Denden”—two of many vividly drawn supporting characters. “I wake just before dawn with a full bladder and the uncomfortable realization that I am surrounded on all sides by two hundred sex-starved Frenchmen,” she says. The second strand starts eight years earlier in Paris, where Wake is launching a career as a freelance journalist, covering early stories of the Nazi rise and learning to drink with the hardcore journos, her purse-pooch Picon in her lap. Though she claims the dog “will be the great love of [her] life,” she is about to meet the hunky Marseille-based industrialist Henri Fiocca, whose dashing courtship involves French 75 cocktails, unexpected appearances, and a drawn-out seduction. As always when going into battle, even the ones with guns and grenades, Nancy says “I wear my favorite armor…red lipstick.” Both strands offer plenty of fireworks and heroism as they converge to explain all. The author begs forgiveness in an informative afterword for all the drinking and swearing. Hey! No apologies necessary!

A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.

Pub Date: March 31, 2020

ISBN: 978-0-385-54468-9

Page Count: 464

Publisher: Doubleday

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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An almost-but-not-quite-great slavery novel.

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THE WATER DANCER

The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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