by John R. Worsley ‧ RELEASE DATE: April 6, 2022
An intimate, emotionally raw journal of grief.
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A widower reflects on life without his wife in this debut nonfiction work.
“Despite appearances,” writes screenwriter Worsley, “this is not, primarily, a book explaining death, grief, or loss—because I don’t consider myself an expert in any of those topics.” Indeed, although this thought-provoking book may be useful to others who’ve lost a spouse, Worsley focuses his writings on the intimate and specific details surrounding his own personal experiences without generalizing them to the world at large. Compounding the author’s grief was the unexpectedness of his wife’s sudden passing in 2021 from alcoholic hepatitis, which “gave us no real time together before she was abruptly gone,” he says; her condition deteriorated from “serious-yet-stable…to dead in maybe 14 hours.” This emotionally raw and vulnerable volume doesn’t shy away from sharing the events that led Amy to alcoholism, including her battles with PTSD (from her service in the U.S. Air Force in active war zones and from a harrowing post-surgery hospital experience), surviving sexual assault, and a previous marriage to a “brutal husband.” Worsley composed this book in the weeks and months following Amy’s death, and many passages emphasize how all-encompassing grief can be to those left behind, as mundane objects, such as houseplants, become powerful reminders of a loved one’s absence. Even elections brought back floods of memories, the author says, as he recalls Amy’s commitment to progressive political activism. One particularly poignant observation notes how words of comfort triggered survival guilt in the author as he clung to the idea that feeling “anything but pain without Amy is somehow a betrayal.”
The volume’s intimate writing style is reflective of its origins as Facebook posts, which Worsley wrote during his first six months of grief, and which served as a journal of his day-to-day thoughts. He presents them chronologically in these pages, with only minor edits to clean up typos; many are accompanied by a “Reflection” in which the author provides additional commentary, written in italics and printed perpendicular to the main text. This feature seems designed to keep the focus on the posts themselves, but the act of turning a book sideways may be cumbersome for some readers. The sidebars do, however, provide important details that contextualize the couple’s love story; readers discover, for example, how they were only married for eight years, but that Worsley had first fallen for Amy decades before in college. Although a self-described “book version of…Facebook” may alarm literary purists, Worsley is a skilled writer with a college degree in linguistics whose social media posts reflect a deft literary range that includes narrative storytelling, disjointed passages that poignantly capture anguish, and poetic verse (“I am more afraid of NOT grieving than I am of grief,” the book’s opening poem concludes). Amy’s voice also comes through in the work’s appendix material, which provides samples of her creative nonfiction writing, previously published in her local newspaper, the Hood River News. The author’s intimate writing style is complemented by ample photographs (mostly by the author), Bible verses, and inspirational quotes that capture the author’s deeply personal approach.
An intimate, emotionally raw journal of grief.Pub Date: April 6, 2022
ISBN: 9781939698070
Page Count: 349
Publisher: N/A
Review Posted Online: May 29, 2026
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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